A Quote by Joel Edgerton

I couldn't do 'Eleanor Rigby' because it was clashing with another project - something I was going to go do - something with Liv Ullmann. — © Joel Edgerton
I couldn't do 'Eleanor Rigby' because it was clashing with another project - something I was going to go do - something with Liv Ullmann.
A lot of people have a particular song that, no matter their mood, turns them on. With me, it's Eleanor Rigby.
It made me start to wonder if there were other people so lonely so close. I thought about “Eleanor Rigby.” It’s true, where do they all come from? And where do they all belong?
Sometimes you don't want to abandon a project to go to another move and come back, so maybe because I have a manic obsession I stick to my idea, and I'd rather wait than do something that is not my main passion.
I think I initially started inventing characters in my songs because I didn't want to write directly about myself. Also, as a kid, I loved all the character names in Beatles songs, like Eleanor Rigby and Lovely Rita and Mean Mr. Mustard and Maxwell and Rocky Raccoon.
Letting go of fixation is effectively a process of learning to be free, because every time we let go of something, we become free of it. Whatever we fixate upon limits us because fixation makes us dependent upon something other than ourselves. Each time we let go of something, we experience another level of freedom.
When I'm just tryna funk, it's gonna be the Staple Singers, man - Pop Staples. And Ray Charles. Ray could take 'Eleanor Rigby' and make that funky.
The thing that was most harmful was that there was always something that was about to happen. So I found myself indulging in the writer's luxury of doing another draft, another idea. If this project isn't happening, then I'll shelve one script and start writing another. And in that way, the years go by, and there's very little money coming in.
I had this great teacher, Milton Katselas, who was this loud Greek who had directed Bette Davis and Liv Ullmann, and brought Edward Albee to this country. He said, "Why do you keep trying to be a Rolex watch when you're the salt of the earth?" Except he said it much louder.
For me, it was a lot of pressure to make another movie after 'Inglourious Basterds' because I didn't want to do something wrong. I wanted to have a beautiful project for another American movie.
Often the greatest act of courage is admitting that one has made a mistake...Follow your hearts. Protect one another, trust one another, because, at the end of the day, all of these people want something from you, or want you to do something for them, or be something that you are not. Your own responsibility is to one another.
I always tell people go see something you don't know about. Something you didn't read a ton about on the internet. Something that you don't know what's going to happen because I think that kind of pleasure of finding something new and discovering it, creates a hunger in you.
And when Eleanor smiled, something broke inside of him. Something always did.
Every time I do something or release something or announce a new project, there's always that fear that it won't go well.
If some black man go out and start something, a riot or something or, I'm not going to jump in it and get killed because he's gone out and started something I don't believe in what he's fighting for or his approach.
In my fiction, there's a lot that's borrowed from music. It's never like I'm taking a lyric, but more the mood of a particular song. 'The Boy Detective Fails' was like listening to 'Eleanor Rigby' by The Beatles, this very melancholy-but-poppy song.
Regret isn't good. Every decision one makes in life is made for a reason or another. Whenever something bad happens, I go, 'This is happening for a reason', or, 'This is going to teach me something'.
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