A Quote by Joel Edgerton

I wanted to make a redemptive thriller that didn't end with some kind of big, crazy shootout and blood spill, but more of a collision of ideas and a discussion of ethics.
We just kind of wanted to play with these iconic moments of action. There's a really small one that always makes me laugh really hard, where there's a big shootout at the end, and the moment my gun runs out of bullets, I turn and there's just another gun sitting there, and I'm, like, oh, nice.
I think you'll make more money in the end with good ethics than bad. Even though there are some people who do very well, like Marc Rich-who plainly has never had any decent ethics, or seldom anyway. But in the end, Warren Buffett has done better than Marc Rich-in money-not just in reputation.
In the old days they, the promoters, wanted more and more from me. They wanted me to jump or spill my blood and break my bones. Every time they wanted me to jump further, and further, and further. Hell, they thought my bike had wings.
We will continue to spill blood in what is, at bottom, a war of ideas
With 'The Humans,' I've found that because it's related to very familiar forms - the family play and the thriller, almost a genre-collison play - some people want it to be one or the other. Either less dark and more of a family comedy or a full-fledged thriller with blood and ghosts jumping out of closets. Everyone's taste is different.
The film [Payback: Debt and the Shadow Side of Wealth] opens with an Albanian blood feud and goes on to delve into, for instance, prison systems, underpaid tomato pickers, the gulf oil spill. It's all woven together in a sensuous, oblique way that's not the same as the single-message kind of documentary we're used to, with an "answer" at the end. It's more like an exploration. Sort of like what you do with Birth of a Nation.
Every country gets fired up to play us. They played well. I thought when it was 2-1 that we had some chances to make it 3, 4-1. He made some saves and we just missed some shots. They got a break on their second, and the third period I thought we had a lot of chances, he made some big saves. We got it done in the shootout.
There's no pressure on a goalkeeper in a penalty shootout. So it's a nice opportunity for us to have some fun and try and make some saves.
War is a bloody, killing business. You've got to spill their blood, or they will spill yours. Rip them up the belly. Shoot them in the guts.
There are numerous different kinds of drum sounds - some are more ambient and roomy and this, that, and the other, the John Bonham kind of thing. Then there's kinda what I did with Pantera, which was much more attacky, and then with what I did for 'Blood For Blood' on the Hellyeah record is kind of a combination of all of that.
This is loving your neighbour as ourselves; if he needs help, help him; and if he wants salvation and it is necessary to spill his blood on the earth in order that he may be saved, spill it.
A shootout is a shootout. You go in and get the bad guys.
We live in a crazy time. Every other week, there's a school shooting. There's always some nutty thing and I've always wanted to kind of understand the crazy.
'In Cold Blood' is not a thriller at all, really. It is, however, the first work of its kind: a true crime book that reads like fiction.
I don't have a drawer full of ideas. I kind of look around and take notes and wonder what could actually be a whole movie. And each time, I think I'm going to do it more commercial this time; I'm going to get a big budget and make it. But I always come up with some small idea.
And each one of them has a redemptive message. Blood Bayou's redemptive message is (about forgiveness). Can you forgive somebody? Can you come back (from the hurt)? (Can you find_ your way back from it. Can people change and can you forgive somebody?
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