A Quote by Joel Edgerton

Stunt work offers a diversity of roles and, while I'm used to anonymity, I really like showing off and performing in front of camera, though I know my limitations.
I'm comfortable in front of a camera, and I'm used to being watched, although that kind of bugged me at first. On the stage, though, I'm scared. I really get frightened in front of people.
I don't have stage or camera fright but there is a little anxiety while performing in-front of a lot of people.
We need women behind the camera like we do in front of the camera. That's when we will have stronger, smarter, better roles for us.
I guess I think like deep inside, I know that it's like, it's a different kind of performing, it's not really... You're not performing like a guitar player or a singer is performing, you know what I mean? So it's weird to be in the same type setup as one of those. 'Cause I'm not really doing much, you know, like technically it's not that hard.
I'm not one of these actresses like, 'Okay, where's the camera? Is it here? Is it here?' I don't even ask the questions because I don't really want to know. I like not performing for a camera but giving it my best every single time whether you're close or whether you're far.
I don't like people who are hypocritical, who pretend to be nice, particularly in show business when they're nice on camera, and then off camera they're absolutely appalling to the makeup people, or the waitress in a restaurant, you know? I don't like - I can't bear those kind of people. So I like people who are, you know, up front in your face.
Shows like 'Empire,' 'Black-ish,' 'Scandal,' and 'How to Get Away With Murder' are expanding viewers' perspectives on what people of color can be like. They're showing more range. They're showing more diversity within diversity.
What I love is a good role. In the theatre, there is just a canon of extraordinary roles, the quality of character is amazing, but I also love working in front of a camera. It was the first one for me; as a kid I was in front of a camera. I feel at home.
I don't consider an actor a star if he's paid $20 million and grimaces in front of the camera and has a stunt man stand in for him. They may be fine actors, but they're not role models. The real stars are wearing body armor in 130-degree heat . . . They're getting shot at and they don't have any stunt doubles standing in for them.
The TV work is so dynamic. You are in front of the cameras, but you are also educating people and genuinely really excited about showing off your products.
I love the physical roles. I have the utmost respect for stunt people and stunt doubles, but I like to do as much as I possibly can with what's become some pretty significant training.
There definitely have been a few roles that involved showing some skin but I'm not afraid of showing some skin from time to time. I mean the truth is, when I come home I take all my clothes off anyway so I'm kind of used to being naked.
Sometimes we work so fast that we don't really understand what's going on in front of the camera. We just kind of sense that, 'Oh my God, it's significant!' and photograph impulsively while trying to get the exposure right. Exposure occupies my mind while intuition frames the images.
I don't like to put too much effort into things. I find that once you get involved with special effects it is no longer about what is happening in front of the camera and I really want to concentrate on what is happening in front of the camera, like the man apparently peeing on the surface of the screen.
The work is the work. The work is not me. I like the anonymity that directors can have about their films. Even though it's my voice, I'm a storyteller.
I think in television there's more of an awareness about a need for more diversity, but there still needs to be great practical strides taken to improve diversity in front of and behind the camera.
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