A Quote by Joel Embiid

I always like to have some type of connection with the crowd. — © Joel Embiid
I always like to have some type of connection with the crowd.
I always dream about that type of moment. In my head, I always kind of create that scenario, just about, like, some type of winning shot or block that's going to, like, really get the crowd into it.
I'll tell you what's crazy: Nobody in my family is musically inclined, no form, fashion, anything. I always had some type of connection to music though. This was long before I ever knew that I could sing, or I ever even tried to start singing. It was something different, man, it made me feel some type of way.
You have to connect with the crowd. If you can't do that, I don't care how good a wrestler you are, or how much muscle you have or how cool your hair is. You have to connect with the crowd. The guys who I like are the ones who have that connection.
I think that connection with humans is so important. Sometimes I'll do this monologue and talk to the crowd, like, 'Come on, let's really connect here.' I don't think a lot of people understand it's a two-way exchange. Some people go to a show and are like, 'Yeah, you make me feel.' That's not how it works.
I love sports, but I don't like live sporting events, because I don't like sitting in the crowd. I like listening to records, but I don't like going to concerts, because I don't like standing in the crowd. I guess I just don't like being in the crowd itself.
I look fondly back on renegade days of my youth. Not the partying or anything, but it's still the spirit that I have always adhered to. When I do work that I like, it feels like a great punk song, like a burst of adrenaline. I've always kept this spirit in me, or some sort of connection to it.
If you are black on television, you are probably going to be some kind of thug, gangster, or portrayed in a negative light. If you are some type of Muslim, you are going to be blowing stuff up. If you are Hispanic, you are going to be some type of gangbanger. I've felt like this for years.
It's something that has informed quite a lot of my comedy - that idea of someone who is always trying to get in there with the right crowd, always trying to be a certain type of person and never managing it.
I always enjoyed playing around Washington, because we always have a good crowd. I've never had a bad crowd in this vicinity from here [Alexandria], up to Washington and on to right around Baltimore. They've been some good fans.
I'm an outdoorsman kind of person, so I don't like the buzz of the crowd, crowd, crowd and all that so much. I mean I don't mind it, but I don't seek it out.
I really like how the characters always has to go through some type of long journey that's like a crazy struggle. And these anime shows give women power. She's always the queen or somebody that you cannot beat - I love that.
Always remember that the crowd that applauds your coronation is the same crowd that will applaud your beheading. People like a show.
Defy the crowd. The crowd isn’t always wise. It can also lead you down a path of silliness, sub-optimal choices, and downright destruction. Enchantment is as necessary for people to diverge from a crowd as it is to get people to join one.
There will always be some films that the audience would like and some that they don't. But if I start becoming a slave to appreciation, I will be subjecting myself and my talent to one particular type of taste. I don't want to do that.
I'm into old-time music; I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like. So there's some connection between visual images and music.
I've always felt like I needed to experience some type of anguish in order to feel productive as an artist.
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