A Quote by Joel Embiid

I feel like Americans don't really have any idea of what's going on in the world, especially us Africans. I feel like when they think about Africans, they think about just us running around with lions and tigers and all those other animals.
If you just compare South Africans to the rest of the world, I think that white South Africans, and especially English-speaking white South Africans, are exactly the same as Brits or Australians or New Zealanders or Canadians or Americans.
I think we're going to care more about Americans than Africans. I don't think that's ever going to go away, and I don't think it's ever going to go away that people care more about their families than strangers, and their communities over other communities. But I think it would transform the world in such a good way if we could just acknowledge, at least intellectually, that an African life and an American life are the same.
As Africans Americans we often think about the tragic stories associated with our lineage, but there are a lot of triumphs. Traveling helps you learn about other aspects of our history, like the story of Christ the Redeemer. It's empowering and inspiring.
I think anyone that comes to Nigeria has to offer value. What value are you bringing? There are Black Americans here. I think we've moved beyond that Africans vs. African Americans. They may have more issues with us than we do with them.
Baseball doesn't seem very important on a day like this...When you live in the United States and you think it's the greatest country in the world, you feel somewhat protected and immune. You read about [terrorism] happening in other parts of the world. A day like this makes you rethink. A lot of us really have a false sense of what the world is really like.
I was adopted my black Americans, I feel that I'm a 'Hybrid'. When I'm around Africans'I suddenly feel very black American. And when I'm around black Americans'I feel very North African. North Africa and black America are both the creators of Kola Boof.
There are two things that have always haunted me: the brutality of the European traders and the stories I've heard about Africans selling other Africans into slavery.
I think that we’re a culture that runs away from death, for good reason. Nobody really wants to think about the fact that we’re going to be lifeless food for worms in a coffin someday. But at the same time, I feel like knowing that you’re going to die can be an incredibly rewarding, powerful knowledge. It inspires us to live in ways that we wouldn’t if we were ignorant. I feel like that has inspired me to care about every breath. For me it’s not a morbid curiosity, it’s just wanting to make sure that every moment I have here on the Earth while I am breathing is accounted for.
I think most writers feel like they're on the outside looking in much of the time. All of us feel, to a certain extent, alienated from the stuff going on around us.
I think most writers feel like they're on the outside looking in much of the time... All of us feel, to a certain extent, alienated from the stuff going on around us.
Conversation with animals could happen, but I think it would be easier for it to happen with creatures we share a bit more with - those that have been bred to interact with us, like dogs or horses, or ones to whom we have a natural evolutionary link, like chimps and other nonhuman apes. I mean, we do communicate with dolphins and whales, but we're not trying to get to the depths of their understandings. I feel that with animals as different from us as the whales and dolphins, it's likely to work better with us just watching them and trying to figure them out.
I think doing more live stuff's made us feel a certain way about that particular point. I quite like small clubs. I don't really like playing in big clubs, and I think I'm really into the idea of a few people being together.
Even if fathers are more benignly helpful, and even if they spend time with us teaching us what they know, rarely do they tell uswhat they feel. They stand apart emotionally: strong perhaps, maybe caring in a nonverbal, implicit way; but their internal world remains mysterious, unseen, "What are they really like?" we ask ourselves. "What do they feel about us, about the world, about themselves?
Humans — who enslave, castrate, experiment on, and fillet other animals — have had an understandable penchant for pretending animals do not feel pain. A sharp distinction between humans and 'animals' is essential if we are to bend them to our will, make them work for us, wear them, eat them — without any disquieting tinges of guilt or regret. It is unseemly of us, who often behave so unfeelingly toward other animals, to contend that only humans can suffer. The behavior of other animals renders such pretensions specious. They are just too much like us.
Just as love blinds us to imperfections in others, it magnifies those we see in ourselves. But if this is true, then the opposite must also be the case. We can take comfort in the fact that our faults will be invisible to those who love us. The success or failure of any relationship depends not just on how we feel about each other, but on how we make each other feel about ourselves.
I like the idea of making films about ostensibly absolutely nothing. I like the irrelevant, the tangential, the sidebar excursion to nowhere that suddenly becomes revelatory. That's what all my movies are about. That and the idea that we're in possession of certainty, truth, infallible knowledge, when actually we're just a bunch of apes running around. My films are about people who think they're connected to something, although they're really not.
This site uses cookies to ensure you get the best experience. More info...
Got it!