A Quote by Joel Embiid
You know how I learned to shoot? I watched white people. Just regular white people. They really put their elbow in and finish up top. You can find videos of them online.
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When you're a person of color in white America, you know white people. You know why you know white people? Because you can't enjoy any kind of entertainment if you are not able to humanize white people. If you watch a film and are like, "Oh, this has white people in it? Then I'm not interested," then you can't enjoy anything in America!
No matter how accomplished we may be, just any little white person can come up and say, 'Well, you wouldn't be here, if it weren't for Affirmative Action.' You put power in white people's hands, and then they use it against you. It's a trick bag.
In Maryland, I didn't grow up around poor white people. Where I grew up, the white people were middle class or upper-middle class. It's interesting how screwed up it is in reality, because most people who receive assistance from the government are white, but not in my head or in my experience.
No, we are not anti-white. But we don't have time for the white man. The white man is on top already, the white man is the boss already ... He has first-class citizenship already. So you are wasting your time talking to the white man. We are working on our own people.
I am astounded at my age with a 20-year-old daughter to discover that kids of her generation don't want to watch black and white movies. I understand that they gave up on silent films, but black and white? So, now movies have to be taught in academia because people don't know how to watch them, they don't know how to appreciate them.
I lived in London for a long time, and that's a pretty white town. In Toronto, I just ended up in this circle of indie rock kids who happened to be white, too... Really, it was just when I started getting out there and meeting more people and seeing more fans that I went, 'Oh, actually, I'm not white.'
White communities - and I exempt poor white communities from this - have power over their representation. White people have the ability to define themselves, to exert their agency in a way that they get to be believed. No one believes black people. No one. Until a white person vouches for them.
I learned at an early age how to traverse the white world, the white-dominant world. I learned, and I was successful at it. I learned the nuances - I learned how to act, how to be - but I always was conscious and aware of my blackness.
People are always going to, you know, find something wrong with people who are not the exact same as them. That's just what it is. Black, white, short, tall, religions, whatever. People are bad.
Everyone else can do violence. You know, Clint Eastwood, Sylvester Stallone, they can all do shoot-'em-ups. Arnold Schwarzenegger can kill 10 people in one minute, and they don't call it "white exploitation." They win awards and get into all the magazines. But if black people do it, suddenly it's different than if a white person does it. People respond differently because people come from different places.
It was very romantic. It's all in the song, The Ballad of John and Yoko. If you want to know how it happened, it's in there. Gibraltar was like a little sunny dream. I couldn't find a white suit -? I had sort of off-white corduroy trousers and a white jacket. Yoko had all white on.
We focus on that really repulsive minority of racists. But then there's a continuum that goes all the way to, you know, what used to be called the white backlash or to, you know, the feelings of some white people that they're losing out and that the jobs and power and sort of the culture is drifting away from them and toward people who don't look like them, who don't - who they don't know very well. And that's not necessarily - I don't equate that with the hardcore ideological hatred of self-identified racists.
It was just really exciting to see dark people in white people's clothing, or what is perceived as white people garb.
Any time I claimed to be white, that would be unacceptable. It just doesn't make sense in people's minds. If I'm white, how can I walk through a department store and still have people scared that I'm going to rob them? Which, that can still happen.
Now 3D is no longer a fad but I don't get all crazy about it and say that everything has got to be in 3D. It is a nice tool, like color or sound or whatever. I was quite intrigued and I learned, 3D opened up a lot of questions about how to use it. I think it is great. It's like if a movie needs to be in black and white then that's how I will shoot it. I see color as just another character or black and white as a character.
I'm most biased about how white people have to learn to shut up when the conversation of racism comes up. White people have to learn to listen. Whether they agree with what they're hearing or not, they have to know to shut up and listen.
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