A Quote by Joel Embiid
I'm very good at drawing fouls.
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West Ham have committed 13 fouls, but they weren't fouls, they were commitment
Harden throws his body around a lot and is a master at drawing fouls. It could be considered borderline flopping sometimes, but he's a vet who knows how to get to the line.
Hard fouls are a part of playoff basketball, and I think that's how basketball should be. I don't take those fouls personally.
I made a drawing for a book I'm working . It's a little drawing of a girl who's ashamed and upset and hides in the corner of the closet. It's the kind of drawing that I feel like I'm really good at.
All comic books take place in built environments, and I was very good at drawing people and animals, and stuff like that, but I hadn't spent much energy drawing buildings. So I thought, maybe I could, and then I became an architect.
I grew up with a pencil. A pencil was my computer at the time and so drawing, drawing, drawing and the tools of drawing where the usual ones and eventually then you graduated from the tools when the work increases and you start to draw by freehand as precise as possible and as accurate as possible, and I was pretty good at that.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
A good drawing has immense vitality because it is explanatory. In a good drawing even its faults have become virtues.
You don't have to commit a lot of fouls, especially if you are 1-0 down. If you are 1-0 down, then don't commit 10 fouls in the next ten minutes.
There was about six months when I was absorbing other stuff and not drawing very much. After a long period of not drawing, you have to, like, relearn how to draw. It's not very fun.
Drawing is more fun to me than writing. I think it's interesting to talk to different cartoonists about how those activities work for them. I'm a very writerly cartoonist. I certainly spend more time on the writing than I do on the drawing, even though the drawing, of course, is very time-consuming.
Realize that a drawing is not a copy. It is a construction in very different materials. A drawing is an invention.
Part of my game is about winning those fouls and getting in good positions.
The writing is hard, and the drawing is fun. It's very satisfying to see a drawing start to come together.
Primitive, naive drawing can also be good drawing but it's hard to pull off. I don't think most submitters realize that.
I work on stretched linen canvas, sized so that the surface already has a sense of tension when I begin. It is a very rich and reactive surface. I begin by drawing on the canvas with a kind of loose line, very simply and freely. I paint very thinly, which allows me to change the drawing if I want to.
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