A Quote by Joel Garreau
Today the story is no less attitude-adjusting. It is about the defining cultural, social and political issue of our age. It is about human transformation.
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What is the big political issue for Britain at the moment? Without wishing to sound portentous, it is about whether we can build a social democratic settlement, whether we can lay the political and cultural foundations for the next several years.
Mediation and reconciliation work is about a profound quest for justice and social transformation. But at the same time, they are about service, solidarity, about exploring and rediscovering the human spirit that has been lost or shattered through human conflict, cruelty, ignorance and greed.
Take the life issue. This issue requires a president and an administration leading our nation to understand the importance of life. This whole faith-based initiative really ties into a larger cultural issue that we're working on. It begins to affect the life issue, as well as the human dignity issue, because when you're talking about welcoming people of faith to help people who are disadvantaged and are unable to defend themselves, the logical step is also those babies.
I do want to write about social/cultural/historical context. I'm interested in relationships, in character, but within a specific social context. Which is kind of a political thing, I admit that. But it's what I'm interested in, and it's how I believe human behavior is legible.
In human geography, we think about landscapes as being political, social, cultural, economic, and physical things all at the same time. And that's the way that I wanted to approach the question of state secrecy.
..I think there is less cynicism about human rights than there was. The work we are doing is part of the overall pattern of human development, whatever the political system, whatever the country, whatever the cultural background, whatever the religion.
How young people are represented betrays a great deal about what is increasingly new about the economic, social, cultural and political constitution of American society and its growing disinvestment in young people, the social state and democracy itself.
Much of the world today, including the United States, is still living in the social, cultural, and political aftermath of Britain's cultural achievements, its industrial revolution, its government of checks and balances, and its conquests around the world.
The thing is, right now the films don't need to be overtly political to be about our times. We also need films that are just human, that are about people. People need that, too. It's like we need to reconnect to what it is to be human. Not just what our political situation is. That's not what I'm thinking about exclusively. Human content is needed again, as it was in the '70s. I think films were more human than they've been since then.
We are engaged in a social, political, and cultural war. There's a lot of talk in America about pluralism. But the bottom line is somebody's values will prevail. And the winner gets the right to teach our children what to believe.
The story of Mirror Mirror is in many ways a story about evolution. Its about the evolution of a child into an adult. Its about the evolution of those dwarves into something a little less rock-like, a little more humanoid. Its about the evolution of history, too, from the darkness of the Middle Ages into the light of the Age of Reason.
The story of 'Mirror Mirror' is in many ways a story about evolution. It's about the evolution of a child into an adult. It's about the evolution of those dwarves into something a little less rock-like, a little more humanoid. It's about the evolution of history, too, from the darkness of the Middle Ages into the light of the Age of Reason.
Although everything has a political connotation today, 'Mulk' is a social film, to be honest. It is not about any political leader, party or ideology.
The one place where I do think our culture today has to be extremely careful is this whole thing about illegal aliens. Because any time you start defining a significant block of the population as 'others,' or as less than you, you start getting into dangerous waters.
The media is almost entirely about defining the subject, defining the citizen, as one of three things: a consumer, a threat in this new age of surveillance, or as utterly disposable. Excess.
Materialism is not fundamentally an economic problem, but a cultural one... a spiritual issue. It runs to the depths of our souls, and, for this reason, needs to be understood less in terms of budgets or fiscal cycles and more in terms of where we locate the sacred, of where we search for meaning and transcendence, and of how we think about justice, equality, and the future of our world.
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