A Quote by Joel Glazer

With anybody we're looking to draft, we do an extensive amount of work on their background, history and all that. — © Joel Glazer
With anybody we're looking to draft, we do an extensive amount of work on their background, history and all that.
I don't have an extensive background in theory, but the amount of it that I've learned, I've applied, so I have a vocabulary of melodic and rhythmic relationships. And that's all theory is - it's symbols to help you identify those relationships.
I see myself as the No. 1 player in the draft, but it is what it is. You can just take it day-by-day, put in the work, and the draft is going to be the outcome of whatever the draft is.
I think ties are great and Kathy Bates is an actress whose work I've admired tremendously over many years, and I feel a certain kinship with her, we both came from an extensive theater background.
If journalism is the first draft of history, then the Internet simply has provided a new means for delivering that draft far and wide very quickly.
I have a long history of looking at things from an investor's perspective by training and background.
I think that if in your heart, you are seeking out a real puzzle, and you're not looking to frighten anybody, you're not looking to upset anybody, and you're looking to discuss a subject that you yourself went through when you were nine - you just don't remember the difficulties of one's own childhood.
[Bill Jensen] shared his extensive publishing background with me, and prayerfully offered to work out a proposal and to see if God opened any publishing doors? I never get over the unexpected ways of God.
My theatre background is probably more extensive then my film, and I have done a fair bit of television.
Niklas Zennstroem has a thorough background as a successful entrepreneur with extensive expertise in areas such as IT and online.
That's the spirit of America, right? Anybody from any background can make it anywhere with enough hard work.
With TV, your first draft just doesn't matter. It's a skeleton, and then there's draft after draft after draft, and so many other factors influence it. It's just a whole different kind of storytelling.
I was part of the draft resistance movement in L.A. where we did demonstrations at the draft centre and burned our cards and made a lot of trouble on campus. I had a student classification and they said that anybody who'd taken part in these demonstrations would be reclassified and drafted. And that's when I went to Canada.
Every day, almost as many men are killed at work as were killed during the average day in Vietnam. For men, there are, in essence, three male-only drafts: the draft of men to all the wars; the draft of Everyman to unpaid bodyguard; the draft of men to all the hazardous jobs or 'death professions.
First draft: let it run. Turn all the knobs up to 11. Second draft: hell. Cut it down and cut it into shape. Third draft: comb its nose and blow its hair. I usually find that most of the book will have handed itself to me on that first draft.
Writers and musicians know well the importance of extensive reading for successful writing or extensive listening for musical composition. Likewise, visual artists... understand that successful artistic creativity depends upon extensive visual exposure.
Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something-anything-down on paper. A friend of mine says that the first draft is the down draft-you just get it down. The second draft is the up draft-you fix it up. You try to say what you have to say more accurately. And the third draft is the dental draft, where you check every tooth, to see if it's loose or cramped or decayed, or even, God help us, healthy.
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