A Quote by Joel Gretsch

I know every actor says this, but the people behind the camera are great. They always have answers. — © Joel Gretsch
I know every actor says this, but the people behind the camera are great. They always have answers.
It's not just the actor in front of the camera. And it's important to have respect for all those people that work behind the camera.
Looking into my future, I don't always want to be in front of the camera. I want to be behind the camera and bring to life those family members of mine or people that I knew or the kids I grew up. I want people to know the different facets of black people, brown people, all people.
One of the great advantages of my time spent in movies and in basically every role possible, both in front of the camera and behind the camera, that I've gotten to see all these different ways that people work and the way movies are constructed from the inside out, from beginning to end.
We have African-Americans and black people getting behind the scenes more and more, we get true black images in television and film...because we have black people behind them. They can tell stories from those points of view and bring to life those characters who have yet to be shown. As long as we have people behind the camera just as much as in front of the camera doing the work, then we'll always be good.
The global capitalist project, which we are all a part of, leaves people behind. I don't know what the answers are - I don't think any actor does - but figuring it out through entertainment can be very useful.
Before I became an actor, I was a visual artist, and I've always hankered for the storytelling behind the camera.
You always like to learn from people as a young actor. I think every young actor says that, but it's true.
You always like to learn from people as a young actor. I think every young actor says that, but its true.
Superstars come and go. I want to make sure I am always a producer's actor. I may be refused to be called a great actor but I have never troubled any of my producers in my life. Honesty always catches the camera, and that is what my strength is.
When you're an actor, you're so busy: people are always coming up to you and pulling your collar, making sure that things fit, brushing your hair and you're always being yanked up, so finally when you're behind a camera, you're just a slob.
The terrible tragedy for every director is to watch an actor do what you want and not have the camera rolling - and never get it back again. So I always try to roll the camera before anybody's really ready.
Being an actor in TV or movies is different. A film or TV actor, if put in theatre, won't know certain dimensions, while a theatre actor won't know certain things when he comes before the camera. So I think a film actor can learn emoting from this theatre counterpart, while the theatre actor can learn about camera techniques from the film actor.
I understand the opposite side of the camera. I have a profound respect for that. I have worked with people who, when you hit that mark, are doing 50 percent of your work for you. So, you know, it's a balance. When you walk into a mark and you're lit a certain way or something's happening so often you don't know what's behind you... And that's what's so strange about being a movie actor.
Bono met his wife in high school," Park says. "So did Jerry Lee Lewis," Eleanor answers. "I’m not kidding," he says. "You should be," she says, "we’re sixteen." "What about Romeo and Juliet?" "Shallow, confused," then dead. "I love you, Park says. "Wherefore art thou," Eleanor answers. "I’m not kidding," he says. "You should be.
It doesn't matter if they're in front of the camera or behind the camera. I know women who are producers who are surviving on nothing but juice and almonds.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
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