A Quote by Joel Grey

Satisfying as that 'Cabaret' role was, it is not the only thing I do. But Hollywood is somewhat limited in its perspective about what it is you do or don't do. — © Joel Grey
Satisfying as that 'Cabaret' role was, it is not the only thing I do. But Hollywood is somewhat limited in its perspective about what it is you do or don't do.
There is only a perspective seeing, only a perspective 'knowing'; and the more affects we allow to speak about one thing, the more eyes, different eyes, we can use to observe one thing, the more complete will our 'concept' of this thing, our 'objectivity,' be.
Don't know about a cabaret act right now, would actually prefer a role in a broadway musical.
Los Angeles is Hollywood and Hollywood is Hollywood Blvd. It's the first thing you want to see. It's the only thing really that you know about as far as Los Angeles is concerned. And so you go and you look at Joan Crawford's hands and feet and the whole history of American filmmaking is encapsulated in that one little area on that one street. That street, to me, has always been the street of dream.
Personally, being somewhat envious of Richard's (Thompson) songwriting and guitar playing, it's somewhat satisfying he's not yet achieved household-name status. It serves him right for being so good.
I'm not a role model, nor have I ever tried to be a role model. The only thing about me as a role model is I've managed to stay here and be working and survive. For 40 years.
It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.
I still hate making pictures! And I don't like Hollywood any better. I detest the limelight and love simplicity, and in Hollywood the only thing that matters is the hullabaloo of fame. If Hollywood will let me alone to find my way without forcing me and rushing me into things, I probably will change my feelings about it. But at present Hollywood seems utterly horrible and interfering and consuming. Which is why I want to leave it as soon as I am able.
I can't imagine that anyone in Hollywood is sitting around trying to decide what actor is good or right or qualified for a role and is being denied a role because of their political views. I don't think that's the way Hollywood works. We're not living in an era of blacklisting.
In terms of style, too, I think I've been working with a somewhat limited -- although intentionally limited -- set of tools. So I'm attempting to be a bit looser as I start stories off. To digress. To make interesting mistakes.
The sun never sets. It is only an appearance due to the observer's limited perspective. And yet, what a sublime illusion it is.
Life is a cabaret, old chum! Come to the Cabaret.
I've always been a cabaret-vaudeville artist - an hourlong cabaret and a floor show in a hotel - somebody like that. That's my main forte.
And I think I have a perspective about Hollywood that you don't see very often in the press.
Everyone has a unique perspective and that's valid. Everyone's perspective is valid. That doesn't mean that everyone has the same degree of skill level as an entertainer, but skill isn't the only important thing. It's also what kind of perspective and feelings you're bringing to it.
Hollywood has had a very limited way of telling stories about black people.
If quantitatively the American achievement is impressive, qualitatively it is somewhat less satisfying.
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