A Quote by Joel Grey

I'm enormously sympathetic to talented people who have few roles to choose from. — © Joel Grey
I'm enormously sympathetic to talented people who have few roles to choose from.
When I started out in the '90s, there were not many people of color writing, directing and producing - hence, the roles for people of color were few and far between. There's still few roles in England [where she's from].
In Bombay, people usually tend to cast you in roles that you've played before. Even though they may consider you to be a talented actor, they just think it's 'safer' to have you play the same kind of roles over and over again.
I'm an enormously talented man, and there's no use pretending that I'm not.
What they [ ruling elite] understand is that matters of desire, subjectivities, identities matter. And they take the cultural apparatuses that they control enormously, enormously, in an enormously important way.
So, if you're doing good longform with talented people than you can step out and you can be the president or a construction worker and people accept that. It's really the roles you give yourself.
I want to keep working. I want to step away from young adult fiction. I want to do theater periodically - Farragut North reminded me how great it is. I started out in theater. I trained in theater and then I kind of fell into film and TV. I want to work with interesting artists, talented actors, talented directors, and talented scripts. Not necessarily leading roles.
There's enough of a willingness in the West to do sympathetic movies about Arab roles.
First of all, I choose the great roles, and if none of these come, I choose the mediocre ones, and if they don't come, I choose the ones that pay the rent.
There are times in a person's life when he or she must make a choice to believe. I choose to believe the sun will rise tomorrow. I also choose to believe that if you go to bed hungry you will wake up ready to eat. I've met a group of men in a faraway country who choose to believe that if you stand on a tree stump for an hour you will gain sympathy for trees. I am already quite sympathetic to trees, so I choose to think they are bonkers.
Only enormously talented people could have made Death to Smoochy . Those with lesser gifts would have lacked the nerve to make a film so bad, so miscalculated, so lacking any connection with any possible audience.
Kant does not think that along with choice of an action we also choose in each case the motive from which we do it. He thinks all is well if I act beneficently, realizing that it is my duty but also having sympathetic feelings for the person I help. But I ought to strive to be the sort of person who would still help even if these feelings were absent. And it is such a case that he presents when the sympathetic friend of humanity finds his sympathetic feelings overclouded by his own sorrows, and still acts beneficently from duty.
We are in an industry where, unfortunately, there is very limited scope for female-oriented roles. If we don't have options, how can we pick and choose roles?
I'm still in the middle of the transition. I'm still in man-boy mode. And that won't go away for a while. But it's a fun time to be in, because it's very rare that people get to work through this time. It's rare to see a John Cusack in Say Anything. It's rare that you'd find an actor right in the cusp of the child-to adult transition, just got through puberty, just getting into a different way of life. There's few movies like that, and few roles like that, so it's going to be tough to pick and choose. I guess the goal is good people, work with good people.
It's not very interesting to establish sympathy for people who, on the surface, are instantly sympathetic. I guess I'm always attracted to people who, if their lives were headlines in a newspaper, you might not be very sympathetic about them.
I think I'm open to adventures and surprises. As a performer, I'm really just naturally talented. And those roles may not look as good on paper, but I know how to create them on screen. I like to have fun and interpret my roles in my own way.
Women in their 40s have gone through quite a few different things, and so the roles are going to reflect that. People say, 'Oh, it's done by 40,' and now everyone knows it's not. I actually feel like the roles are a lot more interesting.
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