A Quote by Joel Grey
I think everything that happens to you becomes a part of what you end up doing and being and standing for.
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I have always been very open and honest about this part of my life with my friends, my family, and my colleagues. In a perfect world, I don't think it's anyone else's business, but I do think there is value in standing up and being counted. I’m not an activist, but I am a human being and I don't give that up by being a journalist.
I do think that fashion may end up being the 'killer app' for wearable augmented reality systems. This is in part because it's not simply task-oriented - like finding a restaurant or where your friend is currently lounging about - but experience-oriented. It becomes part of your life.
Being a writer is part of a noble tradition, as is being a musician – the last egalitarian and open associations. No matter what happens in terms of fame and fortune, dedication to writing is a marching-step forward from where you were before, when you didn’t care about reaching out to the world, when you weren’t hoping to contribute, when you were just standing there doing some job into which you had fallen.
Pick a man, any man. Every guy I fall for becomes Jesus Christ within the first twenty-four hours of our relationship. I know that this happens, I see it happening, I even feel myself, sometimes, standing at some temporal crossroads, some distinct moment at which I can walk away and keep it from happening, but I never do. I grab at everything, I end up with nothing, and then I feel bereft. I mourn for the loss of something I never even had.
I think when I started doing stand-up, that's when I really tried to question everything in my belief system which is - I think a pretty important part of being a comedian is really questioning things.
I think what happens with a lot of writing and art is that specificity ends up being relatable while universality becomes vague.
Unless you're involved with thinking about what you're doing, you end up doing the same thing over and over, and that becomes tedious and, in the end, defeating.
For someone who works in theatre, the rehearsal is where you discover everything. It is where magic happens, where the script enters you and becomes part of you.
When you're a teenager, everything seems like the end of the world, and I don't think that's necessarily a silly thing. You're waking up and becoming aware that the world has problems and those problems affect you, whereas when you're young they don't seem to affect you that much even if you're aware of them. This dystopian trend picks up on that little part of your life where everything feels really extreme and it honors that part of your life and says, "Yeah. It is the end of the world. Look at it."
This big part flies off on the floor. The other part goes like this and lands in my foot! Standing up! It's standing in my foot! Right in the side of my foot. The flute glass. I think I'm like in one of my own pictures.
I think that very often younger writers don't appreciate how much hard work is involved in writing. The part of writing that's magic is the thinnest rind on the world of creation. Most of a writer's life is just work. It happens to be a kind of work that the writer finds fulfilling in the same way that a watchmaker can happily spend countless hours fiddling over the tiny cogs and bits of wire. ... I think the people who end up being writers are people who don't get bored doing that kind of tight focus in small areas.
For sure I see so much in Sudan that is wonderful, normal life - young entrepreneurs starting up NGO projects, kids mucking around and being kids. Everything else that happens in normal life in any part of the world, and we never get that in our media coverage. We only talk about Sudan once it's in crisis, so we end up with a distorted sense of what daily life is like for a lot of people.
A big part of being in a relationship or marriage or whatever is you have to eventually compromise. Your life doesn't end up exactly the way you think it's going to, and if it's the right relationship, you might have to compromise what you're doing professionally.
You forget about it, after awhile. You forget that you even have it on. It becomes part of you. You get used to it, even the teeth and the contacts, which bothered the hell out of me. It ends up being something that is part of the role, and part of the thing that you're doing. After awhile, it just feels pretty damn awesome.
Dont think money does everything or you are going to end up doing everything for money.
I think it's particularly fun not being a full-time showbiz reporter because you still have the 'Oh, wow!' factor when you go out on the red carpet and there are these big stars that are standing there. But if you're doing this day in and day out, it becomes a little blase.
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