'The Human Condition' is me exploring some ideas and thoughts that I have that don't fit one sound. I'm giving emotions a sound - it's a fusion of genres. There are four EPs in 'The Human Condition'; each title is a different emotion.
To grow: that is your deepest and truest need when you say, 'I want to be an actor.'
Most of who we are is our deepest emotions, and someone who cannot feel those emotions in a positive way is never going to understand much about his fellow human beings.
Writers can express ideas and emotions that are important to them but have no other means of expression. Some of these ideas may be fantastic, and some of the emotions may be given clearer voice in fantastic fiction.
The mess of the human condition is that fundamental trust has not yet been realized. The true value of profound spiritual experience lies in the discovery of that fundamental trust.
An actor can never voice his opinion through films. All an actor does is convey what the director and writer want to say. You are a mouthpiece of their ideas. Your ideas reflect only in your choice of movies.
One cultivates spaciousness or awareness which allows you to acknowledge the emotions and see them as part of the human condition. Emotions are like subtle thought forms and they all arise in response to something outside yourself. They are all reactions. You cultivate a quietness in yourself that watches these emotions rising and falling and passing away.
Bradbury would have said his plots are myths and metaphors that tell stories about the human condition. That's what sets him apart from other science-fiction writers: He doesn't write about technology, but about the human heart and psyche.
Hitler had this understanding that you speak to people's deepest, darkest emotions and give them voice that can be incredibly effective.
Actors are there to represent the human condition back to itself. It's never about the actor. It's about the content. That's what I strive for in my work.
Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.
Poets have always celebrated grief as one of the deepest human emotions.
I don't think any human being/artist is 100% emotionally stable, based on the human condition and our emotions that relate to it.
There's something great about being a really young actor because you don't have a chance to be nervous. You don't know anything yet. Whereas one of the big challenges as you go through - I've been doing acting professionally for 10 years now - is to not let all the things that you know hold you back and make you more nervous. Once you've had a few people tell you that they don't like your ideas, that voice in your head can creep in that says, "Don't tell them what you think."
The human voice: mysterious, spontaneous, primal. For me, the human voice is the vessel on which all emotions travel - except perhaps jealousy. And the breath, the breath is the captain of that vessel.
Music to me is a voice, my voice, it's my way of expressing what colours can I bring in, what emotions, what feel. What ideas can I bring out from these instruments that would make this song come alive.