A Quote by Joel Kinnaman
Being an actor in movies is a lot about the power of your imagination and making the circumstance real to you so the audience will feel that it's real.
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When you're being real, that's endearing to an audience. When you're not being real and you're making jumps to things that don't really follow how they would in reality, people don't appreciate that.
'SuperBetter' is fundamentally about a mind shift. It's about claiming your power to be in charge of how you spend your time and energy, and focusing it on the things that matter the most to you. Focusing on things that will bring real happiness, real well-being.
In a rehearsal room, your real resource as an actor aren't the things around you; your resources are your imagination and your director and the other actors. In those close quarters, your imagination and your skills are what you turn to.
The main thing is to do each project the way you want, and if they find an audience, that's terrific. And if they don't, there's nothing you can do anyway, so don't let it concern you that much. An awful lot of good movies have done badly and an awful lot of bad movies have done very well. There are no real rhymes or reasons for it. Sometimes the stars don't always align right. But if you've done the best you can, you feel pretty good about it.
I would like to be known for honest, relatable writing and stories that that are real. There's just this shift I think is happening in a lot of society right now where being your most real self, however embarrassing or vulnerable or weird that is, is the coolest. I feel like that's what Lena Dunham's about and Amy Schumer's about.
There is almost no limit to the possibilities of the imagination, but to get the full power of it, one must trust one's imagination. If you say to yourself constantly, as the mother says to the child, 'But this is only play; this is not real,' you never can make real the things you have created in thought.
I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.
Big Brother isn't watching. He's singing and dancing. He's pulling rabbits out of a hat. Big Brother's busy holding your attention every moment you're awake. He's making sure you're always distracted. He's making sure you're fully absorbed. He's making sure your imagination withers. Until it's as useful as your appendix. He's making sure your attention is always filled. And this being fed, it's worse than being watched. With the world always filling you, no one has to worry about what's in your mind. With everyone's imagination atrophied, no one will ever be a threat to the world.
I still feel I belong to the theatre. There is nothing more challenging and exciting for an actor than performing before a live audience. The stage is the real testing ground for an actor.
The function of the actor is to make the audience imagine for the moment that real things are happening to real people.
There will always be a slight difference between the reel and the real. Even my family might know 99 per cent about me, but there will be this one per cent about me that nobody will ever know. Being in this profession, I am fine with biopics or movies inspired by real-life-characters.
One of the great things about cartoons is that they're not real - you're not watching real people and it engages your imagination. One of the cornerstones of America is that we are creative thinkers. We're innovators.
As an actor you have to have a strong vivid imagination as you're working and when the camera's rolling, but there's certainly a part of you that is aware of real life, that you're making a movie.
I think movies say a lot [about real life], even more than theater. It says a lot about the invisible, that movies are so fascinating. The camera lens is like a microscope that goes beyond the surface. It's like you're exploring a secret, so you explore the director's secret, you explore the actor's secret, and therefore you explore the universe's secrets.
With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.
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