A Quote by Joel Kinnaman

We remake 'Hamlet' all the time. That's sort of what we do, humans. — © Joel Kinnaman
We remake 'Hamlet' all the time. That's sort of what we do, humans.
I saw Derek Jacobi play Hamlet when I was 17, and he directed me as Hamlet when I was 27, and I directed him as Claudius in 'Hamlet' when I was 35, and I'm hoping we meet again in some other production of Hamlet before we both toddle off.
The tragedy of "Hamlet" is critically considered to be the masterpiece of dramatic poetry; and the tragedy of "Hamlet" is also, according to the testimony of every sort of manager, the play of all others which can invariably be depended on to fill a theater.
A lot of artists are used to their music being reused online and have come to accept and embrace it. You have a generation who go on YouTube and remake and remix music online all the time. They remake and upload songs and videos, and then other people remake the remakes; it just keeps going.
Hamlet is a remarkably easy role. Physically it's hard because it tends to be about three hours long and you're talking the whole time. But it's a simple role and it adapts itself very well, because the thing about Hamlet is, we all are Hamlet.
I did Kushi Kushiga,' the remake of Chronic Bachelor;' Kalyana Ramudu,' which is the remake of Kalyanaraman;' and also Software Ganda' in Kannada, the remake of My Boss.'
Hamlet 's character is the prevalence of the abstracting and generalizing habit over the practical. He does not want courage, skill, will, or opportunity; but every incident sets him thinking; and it is curious, and at the same time strictly natural, that Hamlet, who all the play seems reason itself, should he impelled, at last, by mere accident to effect his object. I have a smack of Hamlet myself, if I may say so.
I'd not really ever expected to play anything like 'Hamlet.' I hadn't seen myself as a natural Hamlet, whatever a natural Hamlet is, and I quickly realised there is no such thing.
I prefer to remake flops. Dirty Rotten Scoundrels was a remake of a flop, and The Quiet American is a remake of a flop.
Hamlet: Lady, shall I lie in your lap? Ophelia: No, my lord. Hamlet: DId you think I meant country matters? Ophelia: I think nothing, my lord. Hamlet: That's a fair thought to lie between maids' legs. Ophelia: What is, my lord? Hamlet: Nothing.
Once upon a time ... the only autonomous intelligences we humans knew of were us humans. We thought then that if humankind ever devised another intelligence that it would be the result of a huge project ... a great mass of silicon and ancient transistors and chips and circuit boards ... a machine with lots of networking circuits, in other words, aping-if you will pardon the expression-the human brain in form and function. Of course, AIs did not evolve that way. They sort of slipped into existence when we humans were looking the other way.
I think Hamlet is a very funny play - Hamlet is riddled with wit.
You don't really audition for Hamlet; Hamlet is one of those roles that a director or producer decides you should do it.
The friends that have it I do wrong Whenever I remake a song, Should know what issue is at stake: It is myself that I remake.
If you are going to remake a film, you may as well remake a classic.
Hamlet: Is this a prologue, or the posy of a ring? Ophelia: 'Tis brief, my lord. Hamlet: As woman's love.
I decided to remake 'Sairat' and contacted Nitin Keni of Zee Studios with a plan to remake the movie in all south Indian languages.
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