A Quote by Joel Kinnaman
I'm not a method actor per se, but if I'm playing a character that, at its core of its persona, has experiences I don't have, I try to search out and get firsthand experiences of similar sorts so I have something to fantasize about.
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I wouldn't say I'm a Method actor, but I do try to focus very deeply on what character I'm playing, and everything else goes out the window. I forget about everything. I try to get everything else out of my head.
I believe life experiences are what an actor needs to relate to the character roles they take on, and to say the least, I've had many experiences leading up to this moment. Not only have my experiences become a tremendous asset in my acting, but also they helped me discover who I am and who I want to be.
The sixth sense is at the core of our experiences. It is what makes experiences out of events.
You can now share your story anonymously much more easily than you could earlier and you can watch people have conversations about it. And when people come out and say negative things about you, there will be other people who have had similar experiences or who know people who have had similar experiences who will defend you.
Buy experiences, not things. Spending on experiences makes people happier than spending on things. Things get broken and go out of style. Experiences get better every time you talk about them.
I think I missed out on so many good experiences - maybe priceless experiences - playing with my friends when I was growing up.
There were time when I was into method acting that I did have moments of residual character emotions, because the method bases your emotional responses as a character on emotional experiences from your real life.
The 'phenomenal concept' issue is rather different, I think. Here the question is whether there are concepts of experiences that are made available to subjects solely in virtue of their having had those experiences themselves. Is there a way of thinking about seeing something red, say, that you get from having had those experiences, and so isn't available to a blind person?
Age is as much an asset for character players as it is for good wine. Human experiences, both good and bad, leave their marks on one's face and bearing. A few lines on the face and a few gray hairs coupled with the idiosyncrasies an actor adopts throughout life help out round out the actor's personality. So far as I'm concerned, the older a character actor gets, the firmer his position is.
The strongest moments in my life are when I'm filming. It's an adventure. As an actor I try to seduce someone, try to share something. The rest of my time is spent exploring experiences with women.
When I search myself carefully I do think it's from my mother. I even feel strange saying that. Most people, I believe, when they're asked profound questions about their own persona are not really able to enunciate it, because it's a combination of so many things. But certainly influences early on that I felt from my mother. I wouldn't say she was "political" per se; she was sensitive to other people.
I got letters from people that have had peculiar psychic experiences, experiences with the dead - sometimes fairly tranquil experiences and sometimes very terrifying experiences. I do believe that a lot of them are sincere. I do believe, also, that some of them may be misguided. But, I think the majority of them have experienced something.
The great thing about playing a character that's similar to the audience, or similar to you, is that you get to have the same reaction that you would actually have to whatever's going on.
I definitely consider myself a Method actor, because of my training. I might dispute what people consider a Method actor to be. For my money, a Method actor is an actor who has a technique. That has a method. And not one method, but whatever might be required. So a Method actor is always learning.
I think that people get experiences, and out of those experiences come meaning and ideas. It's like watching a rose bush grow.
My approach is that we are not searching for experiences here. We are trying to know the one who experiences all experiences. Our search is for the witness. Who is this observer? Who is this consciousness? Sometimes it feels sad, sometimes it feels happy; sometimes it is so high, flying in the sky, and sometimes so down. Who is this watcher of all these games? - high and low, happy, unhappy, in heaven and hell. Who is this watcher? To know this watcher is to know God. And you are already it - just a little awakening is needed... no search but only awakening.
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