A Quote by Joel Kinnaman

An amateur can be great in front of the camera, but you need an education to get on stage where you have full control as an actor. — © Joel Kinnaman
An amateur can be great in front of the camera, but you need an education to get on stage where you have full control as an actor.
I've always said the one advantage an actor has of converting to a director is that he's been in front of the camera. He doesn't have to get in front of the camera again, subliminally or otherwise.
I'm an actor. Whether I'm on stage, in front of a camera or a microphone, what I do is the same - although with videogames it requires a lot of imagination.
The camera course was a bit crap. But when I was in drama school, I wasn't interested. I wanted to be a stage actress. I was not interested in learning camera craft. But then you throw yourself in the deep end when you do get a job in front of the camera because you have absolutely no idea what you're doing, and it is a skill.
I'm comfortable in front of a camera, and I'm used to being watched, although that kind of bugged me at first. On the stage, though, I'm scared. I really get frightened in front of people.
I'm an actor and I like having attention. There's a reason I like being on stage and in front of the camera, and it's that interaction.
When you're an actor, people just take it for granted that you're really confident and can get up in front a stage full of people and just speak to them.
Sometimes, during a shoot, an actor might fail to turn up or there might be a need for an actor for a scene... and then if the director asks me, I step in front of the camera.
I don't like getting up in front of people and being the loud one when everybody's out quiet and you're the only one talking. I'm not a fan of that. I'm fine when I get in front of a camera, I don't care. You'll never see me on stage. Not at all.
'Scandal' has been, for me, the most consistent time I've ever logged in front of a camera. I grew up in the theater, and I feel very confident and comfortable on the stage and in front of a live audience, but the camera is a very different medium.
On stage I'm slightly nervous than when I'm in front of camera. Because when on the stage, the mind can't waiver but at the same time, the energy to be on the stage makes me feel alive.
What's cool is that Oprah is the same person on stage and in front of a camera as she is off stage and behind the scenes. She speaks the same way on camera as she does off camera.
I did come to L.A. to try to get on TV and get in front of a camera, so I could have a stage career in New York.
The difference between an amateur and a professional photographer is that the amateur thinks the camera does the work. And they treat the camera with a certain amount of reverence. It is all about the kind of lens you choose, the kind of film stock you use… exactly the sort of perfection of the camera. Whereas, the professional the real professional – treats the camera with unutterable disdain. They pick up the camera and sling it aside. Because they know it’s the eye and the brain that count, not the mechanism that gets between them and the subject that counts.
Even if one is not a great actor, just being in front of the camera requires a lot of effort.
When I made my debut as an actor in 'Rock On!' I was confident to get in front of the camera.
You can be in an acting class all you want, but you don't fully learn until you get off that stage and in front of a camera.
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