A Quote by Joel Madden

Good Charlotte is anger management teen angst. — © Joel Madden
Good Charlotte is anger management teen angst.
I watch a lot of teen TV and read a lot of YA novels. I also talk to teens whenever I can. There are cultural differences between when I was a teen and now, but emotions - anger, angst, love - are the same.
Ive always enjoyed the teen angst thing. I had a lot of teen angst as I was growing up, so I think I have a lot to say about it through characters before I have to move on.
I had teen angst for a while, but I think every teenager has the angst.
I'm really good at making teen angst romantic. I'm really good at dealing with heartbreak and things like that and making it into this whole experience. But there's no way to make someone-on-the-Internet-said-something-mean-about-me into romantic angst where you can listen to music and cry or whatever.
Dear Diary: My teen angst bullshit now has a body count.
I immediately went out and bought a book on anger management. And now I have that book, and I don't know if I'll get to the book. But I'm certainly excited about the day where I can't find the book, and I get to say, 'Where the hell is my anger management book?!'
I was, like, this token teen angst child of Broadway. It's so funny. What is that? I don't even know. But I loved it.
I don't have anything left to offer in the teen-angst area. I've done it every way I know how.
Snobbery management is as difficult and necessary as anger management.
I think that our goal in Good Charlotte is just to be Good Charlotte, and whatever happens, whatever that means, we don't even know, and make music and whatever.
There's tons of anger and angst and peculiarity and eccentricity, and good towns know that that's okay. But towns that are kind of bullshit don't know what to do with all those feelings.
I've been writing songs since I was a teenager, so one kind of song I've written a lot is about, I don't know, teen angst feelings - feeling unsure of yourself and immature.
'Snowpiercer' is a little bit more experimental, I think, and crafted for a slightly different audience. 'The Giver' is more about teen angst.
It's not necessarily bad that you have angst or you have anger - it's what you do with it, how you interpret it into something profoundly moving.
Charlotte Corday walked alone Paris birds sang sugar calls Charlotte walked down lanes of stone through the haze of perfume stalls Charlotte smelt the dead's gangrene Heard the singing guillotine
What if you threw a protest and no one showed up? The lack of angst and anger and emotion is a big positive.
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