A Quote by Joel Madden

Sorry if i spit on ya'll... I kinda have a problem with doing that. — © Joel Madden
Sorry if i spit on ya'll... I kinda have a problem with doing that.
I think I kind of approached music with this sort of, like, weird thing where I kinda set myself up where I could kinda be myself but not really. I kinda had a backdoor out. So if you criticized me, I kinda had my defenses working. And the problem is that some people seize on that as inauthenticity, which is understandable. So that's painful because it's not that you're being inauthentic...there's a difference between being a poseur and being someone who's so emotionally challenged they're kind of just doing their best to show you what they've got.
The power of music just kinda kills all those ills; it cures everything and you’ve got more energy just from the music. And, I’ve never seen it fail. It’s good for ya; real good for ya.
I'll throw ya gang-sign up, and then I'll spit on my hand.
I'm sorry that government involves filling out a lot of forms. ... I'm sorry myself that we're not still on the frontier, where we could all tote guns, shoot anything that moved and spit to our hearts' content. But we live in a diverse and crowded country, and with civilization comes regulation.
My forte is the music. But obviously if ya don't keep up with the business, then your kinda doing it for nothing. So I do plan on being well off doing, maximizing what I do now. I heard Jimmy Kimmel describe being in your thirties in hip-hop is like the equivalent to being 300 yrs. old; almost like a dinosaur.
Sometimes I'll hear a certain approach that kinda cathes my ear, like „It's kinda cool what that guy's doing there", or maybe an effect that somebody's using, or a guitar sound, or something that kinda makes me open up. But the funny thing is i realise over time how sort of traditional i am.
When I see ya baby girl, I miss feelin on ya. I miss everything that's real about ya and that's everything about ya, that's just how I feel about ya
Do what ya have to do to pay off yer debt with Heaven,’ he said, his concern for proper speech abandoned. ‘But ya do not die on me, ya understand? I can’t live without ya. Yer all I got, woman.’ Her breath caught in her lungs. ‘I don’t want to be here if you’re not.
This treadmill lifestyle ain't workin for me... It's from ya crib to ya lab to ya job to make a profit, And at the day's end you still got nothing accomplished.
You may be sorry that you spoke, sorry you stayed or went, sorry you won or lost, sorry so much was spent. But as you go through life, you'll find - you're never sorry you were kind.
It's only five rappers out of Atlanta who bussin and I'm one of 'em; the other four you know who you are; but if you gotta think twice (well) shawty ya ain't nice; regardless of ya publishin' deal ya can't write
I said Yo Jay, I can rap. And I spit this rap that said I'm killin' ya'll *****s on this lyrical sh*t, mayonnaise colored benz, I push miracle whips.
In episodic television you'll have a good guy who's on every week and that's his show! He's the regular on it, and you're not going to be "gooder" than he is; I mean, he's the guy who's got to solve your problem! So if you're playing a good guy, you have to have a problem, and he's going to solve it for you. And the only really strong dramatic part is the heavy, because the meaner and crueler and rottener you are, the better the good guy looks when he whips ya' at the end because he always is gonna whip ya! So, the best dramatic guest shot is the heavy.
If ya ain't got it in ya, ya can't blow it out.
The only thing that makes a book YA is that it is about teenagers, and it is written in a very conventional, non-artsy, non-pretentious way. YA is not the place for the oblique or the cryptic. If it is in any way experimental in form, it is not YA.
Just let yourself be broken and humiliated. Just your whole life, keep telling people, I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry.
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