A Quote by Joel Madden
I want to feel lucky every night when I go onstage, and not feel like, 'Oh, great, here we go again.
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I’m not going to let go of you. I’m going to hold you all night. So go ahead and feel whatever you feel. If you’re still craving cocaine, go ahead. You’re safe. You can crave it all you want, but I won’t let go, and if you still feel like you can’t trust yourself in the morning, and it’s what you want, I’ll drive you to rehab myself. Okay?" ~ Max
Every one and every single time is different, and I didn't have C-sections, which I don't know if that's lucky or unlucky, but I was able to feel every contraction. You forget what it feels like. God's got a great way of making women forget what it's like because we would never go through it again.
People that come to my shows are definitely people that feel outsiders. They feel like I don't feel sexy, I don't feel like - I can't go out every night on Friday and I can't connect to that, and I feel so much pressure to do that.
Every time I go to Veracruz, I feel like, OK, I am back. When my feet go to the ground on the earth, I think, 'This is me, this is home, these are my roots, and now I can go and travel again to wherever you want me to go.'
There are days where I can go into a room full of people, talk to every single person, and feel completely at ease, and feel like making every single person laugh, and feel like everyone's having a great time. There are other times where I go into a room of people, and I literally want to run and hide.
Oh,to be walking through Leningrad white night after white night, the dawn to dusk all smelting together like platinum ore, Tatiana thought, turning away to the wall, again to the wall, the wall, as ever. Alexander, my nights, my days, my every thought. You will fall away from me in just a while, won't you, and I'll be whole again, and I will go on and feel for someone else, the way everyone does. But my innocence is forever gone.
Do you often find yourself uttering the phrase, 'I feel like I should go?' You do not need to go. You are busy that night. You are busy every night, forever.
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
Films are subjective - what you like, what you don't like. But the thing for me that is absolutely unifying is the idea that every time I go to the cinema and pay my money and sit down and watch a film go up on-screen, I want to feel that the people who made that film think it's the best movie in the world, that they poured everything into it and they really love it. Whether or not I agree with what they've done, I want that effort there - I want that sincerity. And when you don't feel it, that's the only time I feel like I'm wasting my time at the movies.
When I go onstage, every situation I have to play, I feel pain. When I sing 'Madama Butterfly' I feel completely everything she felt: It's horrible.
In comedy you feel you need to go back to the theatre every now and again, you feel you need to go back to an audience every now and again to see if you're still getting your craft right, making people laugh at the moments you think they should and that sort of thing.
I'm fortunate that I'm employed. And if you're in show business, of course, every night you go to bed and go, oh my god, tomorrow I'll never, ever work again.
When I go onstage and am performing the way I want to... I finally feel like myself.
I want each season to feel new and special. I don't want it to feel, "Oh, more of this." That's something that's easy to do in the first three seasons, and harder to do as you go. I'd rather err on the side of blowing up everything and being like, "Why did you do that? There was more story to tell there," and moving the family to Mexico like on Weeds, instead of people going, "Oh, we've seen this already. We're tired of this."
Training-wise, I don't get too specific. I don't put a schedule together and tell myself I have to stick to this. I run on feel, so every day I go running, I don't know how far I'm going to go. If I feel great, I'll go further and if I don't, I'll back off the throttle.
At the end of whatever we're doing, I always feel like I want to go back and start over again because now I have a better sense of what it is. I feel that with everything. Like, if you're doing like a long run of a play and you're doing it seven shows a week, at the end of it, I want to go back and start from the beginning.
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