A Quote by Joel Madden

I'm kind of crazy with karma. I really believe that everything you do revisits you, so, I'm really adamant about the kids seeing the grandparents, so like, I can see my grandkids, you know what I mean?
Karma is not something pessimistic. If you think of karma as something wrong, you are seeing karma only according to what happened in the past. You look at the past and karma becomes a monster. So you should also look at karma in the present and future. Then karma becomes something very wide and really alive. Through karma you can understand what your destiny is. Destiny itself has no solid form; it's something you can create. You can create your life. That is why we study karma.
I've never dated anybody. It's good to get experience under your belt but you should never get wild or go crazy. If I can't see myself with this person for life -- I can't be bothered. I can't waste my time. I have some really good men friends but I believe in no sex before marriage. No fornicating. Stuff like that. I really believe in that. I mean, I'm not perfect. It's hard to live by the Bible standards but I'm really comfortable with me.
I loved working with kids, and kids are the most incredibly discerning audience. And if they don't believe you, they will tell you and let you know. I mean, kids is where it's at, really.
I really cite Walt Disney as teaching me everything I know. It sounds crazy, but I'm serious! In 'Bambi,' the mother dies, but you don't see the corpse. You see the father, the stag, come up and you see 'Bambi' alone, and that has so much more impact than seeing a mutilated deer.
I've never really had a certain style of music in mind that I make, or am really adamant on how something should sound, but I like the process of not knowing, of just seeing what happens and what comes out.
It's when people come at you on Twitter and say really crazy things. That's the kind of stuff that I insulate myself from. All of that is not very interesting or helpful, but we have critics who sometimes really love us or sometimes don't, and it's really interesting for me to see what they don't like about it.
I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.
Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around - nobody big, I mean - except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be.
The one thing about kids is that you never really know exactly what they're thinking or how they're seeing. After writing about kids, which is a little bit like putting the experience under a magnifying glass, you realize you have no idea how you thought as a kid. I've come to the conclusion that most of the things that we remember about our childhood are lies. We all have memories that stand out from when we were kids, but they're really just snapshots. You can't remember how you reacted because your whole head is different when you stand aside.
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
We want to bring the kids, the parents, the grandparents and grandkids together, we want them to have a shared viewing experience. We want the kids to talk about it in the playground, dad to talk about it down the pub, grandma to talk about it while she's out shopping.
I don't really... go to 'the opening of an envelope.' I don't really turn up to all the events, you know what I mean? If I'm involved, I'll go, and if there's a good friend who needs support, I'll go, but otherwise... I don't go. I'm probably just a bit like my grandparents; I like staying in.
But nothing on this earth is guaranteed, when you get right down to it, you know ? I've been thinking about that. About how your kids aren't really YOURS, they're just these people that you try to keep an eye on, and hope you'll all grow up someday to like each other and still be in one piece. What I mean is, everything you get is really just on loan. Does that make sense?" Sure,"I said. "Like library books. Sooner or later they've all got to go back into the nightdrop.
I want kids of this generation to see that everything is cool, that there's some kind of unity in hip-hop. We all found something that's really important to us, and music is all we've really got.
When you start a new job or a particular journey, you really don't know what to expect. I mean, you hear about your name being on the bestsellers list, but it doesn't really mean anything. Like, really, what does that translate to?
It's really crazy looking back on my bullies or whoever was trying to torment me or tease me, because karma is just, like, crazy.
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