A Quote by Joel Madden
The best thing is being really close. The worst thing is being really close.
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I have realized that you can close yourself off to life if you put walls up, but it's a difficult thing ... You can't see over, people can't see in, and you also can't see out. So I've gotten quite comfortable with just being unafraid. I keep saying the same thing: it's not about being fearless but really just embracing the fears and using them.
The thing you want to be able to do is to be well-liked when you retire. I know right now I'm not close to retiring, and I'm not close to being liked.
Actually, acting in bumper cars is terrible, because the really only way to film it and get a close up is to literally mount the camera - this heavy thing on the car and it's just the worst because you can't act at all with a thing on the car.
At the end of the day, when it comes down to it, all we really want is to be close to somebody. So this thing where we all keep our distance and pretend not to care about each other, it's usually a load of bull. So we pick and choose who we want to remain close to, and once we've chosen those people, we tend to stick close by. No matter how much we hurt them. The people that are still with you at the end of the day, those are the ones worth keeping. And sure, sometimes close can be too close. But sometimes, that invasion of personal space, it can be exactly what you need.
Since PTSD is being exposed to death and the death of someone close, I felt really close to [the soldiers].
I’ve said about a million times that the best thing a young photographer can do is to stay close to home. Start with your friends and family, the people who will put up with you. Discover what it means to be close to your work, to be intimate with a subject. Measure the difference between that and working with someone you don't know as much about. Of course there are many good photographs that have nothing to do with staying close to home, and I guess what I'm really saying is that you should take pictures of something that has meaning for you
Performing is really close to being in studio but performing takes over because being in the studio is two things; the first thing is that it is really beautiful to improvise and jam, but afterwards it becomes hard because it's very rare that a song will come together quickly. Most of the time it's back and forth and trial and error. You start questioning whether the song is good or not. So that can be quite tough.
Lil Wayne and I are really close. We have a really close, personal relationship, and I really like him a lot. We have a great chemistry.
If you zoom close-if you get really close to someone, if you really get close to yourself-then you lose the other person, you lose yourself entirely. You get so close you can't see anything anymore.
I don't really have loads of friends - three or four who are close. The thing that I love the most is playing with my band, and with everything else I feel kind of uncomfortable. I don't think I'm socially awkward. I just prefer being behind a piano.
Being in the theatre is like being in a little family: you get really close.
I grew to understand or really grasp a sense of what the power of being humble is - that becomes a practice. Otherwise you'll be crushed by your fear of being humiliated. It'll control you the rest of your life. I really understood that. I haven't mastered it, I haven't come close to it.
You can always know, when it comes to a Gucci Mane or Migos project, there is no such thing of them putting out a project without me being a part of it. These are guys that I'm really close with, and we built a sound together, and we got a certain chemistry.
One of the joys of being a Christian or being a person of faith is that you believe deep down that death isn't the worst thing, you know. Not living your life: that's the worst thing. And death is not, it's not all it's cracked up to be. It's not, it's not the end of the world.
There is no solution or perfect model you can follow. The best thing I can say is you've got to get close to what you really value. When you strip away your role as a parent, as a mother, and as an executive, what really makes your heart sing? How can you make your mark?
The thing I loved about my old punk band, it wasn't really about being vulnerable, it was about shouting and being fun and being aggressively political, which I thought was really cool and really fit that energy.
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