A Quote by Joel Madden
I built a studio in L.A. for me and my brother to just write every single day. And it's been great, man.
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Last but not least my family. My brother Tony, I love you. Thank you for beating me up when I was a kid. I always wanted to follow in your footsteps. I pray for you every night. You’ve taught me to feel confident in myself, believe in myself that I can do it when I didn’t think I could do it.
Dad, it’s been an up-and-down road for all of us, but you’ve always been there supporting from afar, texting me Bible verses every single day, telling me you love me every single day. That builds me up and I thank you so much. I love you. I’m just glad you’re part of this journey with us.
Write something every single day, even if it's just three lines. And it doesn't matter if it's any good - just write something every day.
Because I work so much, people think that I have a team writing for me, but that's not why I chose to write music for films. I chose to write music because I like to write music. So every single note that comes out of my studio is written by me, and I wouldn't be able to do two movies at the same time.
It's so wide; that's what I love most about my career. It's been varied, and the music has been varied, because I find myself getting bored pretty easily. So for me, to work in the studio has been great. I didn't go on the road; I just worked on a different project every day, a different kind of music, and that's the challenge I love.
People started noticing my singing on YouTube, and then I came to L.A., and I lived on a studio couch. I wrote songs every single day with whoever I could write songs with.
I have to read something positive every single day. I have to have faith that the day is unfolding in a way that is going to be useful to somebody else... For me, living every day in gratitude has been profound for me.
At the end of the day I'm not just sending beats in. I'm mixing the song. I'm recording the song. I'm engineering the song. I'm in the studio helping with the songwriting. I'm doing the whole beat - every single piece of it is me.
I'm trying to change theater, in my own way - not just magic. I say that humbly, because I'm learning every single day. I do 15 shows a week, and every single audience I have is like a test screening for you, when you listen and go, "Really? They laughed at that?" All over the stage I have lines, written onstage, that I'm changing every single day.
There isn't a single day I don't do some writing -- if you don't, you won't have a book. When you're self-employed it is very easy to burn away your time instead -- answering e-mails, surfing the Internet, or hanging out with friends. You really must have the discipline to sit down and write every day. Most of what I am writing is living in the back of my head or in my subconscious. I find if I write every day, my subconscious will do the job for me.
Remember, don't try to build the greatest wall that's ever been built. Focus on laying a single, expertly-placed brick. Then keep doing that, every day.
When I was in Phoenix, people started noticing and looking every day to see what I was wearing, but it never really affected me. When you do this every day, it's just something you do. Even in Europe I was getting dressed up for every single game. Nobody may be watching but it's just me. It's how I live and it's how I move.
All my life long I have been sensible of the injustice constantly done to women. Since I have had to fight the world single-handed, there has not been one day I have not smarted under the wrongs I have had to bear, because I was not only a woman, but a woman doing a man's work, without any man, husband, son, brother or friend, to stand at my side, and to see some semblance of justice done me. I cannot forget, for injustice is a sixth sense, and rouses all the others.
Johnny was great in the studio; he was there to make the music that he wanted to make. We lived right beside each other and had a rehearsal studio that was just ours, with nobody else using it, it was part of Johnny's house, so we could rehearse every day.
I'm never gonna go into a studio and work for a whole year non-stop. Just every day on my own in the studio working, it's just too damn hard.
I would rather be hired solely for my talent, not just to fill a quota. I also don't want to shoot just any studio movie just to say I'm shooting studio movies - for me, quality of the material comes first, and if eventually that leads to a really great studio project, then that's a bonus.
Your ability to name every single variation of Kryptonite and every first issue in which it appears is a great pop quiz skill, but is not a great writing skill, all right? So just because you can do that doesn't mean you know how to write.
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