A Quote by Joel McHale

It's an awesome thing to be flung out onto the stage twice a weekend in front of 250 people, and you have to make it up as you go along. — © Joel McHale
It's an awesome thing to be flung out onto the stage twice a weekend in front of 250 people, and you have to make it up as you go along.
A fellow must know where he wants to go, if he is going to get anywhere. It is so easy just to drift along. Some people go through school as if they thought they were doing their families a favor. On a job, they work along in a humdrum way, interested only in their salary check. They don't have a goal. When anyone crosses them up, they take their marbles and walk out. The people who go places and do things make the most of every situation. They are ready for the next thing that comes along on the road to their goal. They know what they want and are willing to go an extra mile.
Once you go on stage you're essentially creating the world that people want to participate in. The worst thing you can do is go out on stage with the idea that you're going to communicate something you've learned and if you do it really well, they'll approve. If you go out in an approval process, you will be so nervous and so preoccupied you'll never get to the heart of what it is you want to make music with.
As a singer-songwriter who gets up on stage and sings about those things that make me vulnerable is an amazing experience. You get up on stage and effectively take your clothes off in front of thousands of people.
I was always really shy. That's why being in front of cameras like this is uncomfortable. I found that when I was a kid, I would hide behind playing pretend. That's when I would come out of my shell. I would dress up as an old man or something and go out onto the street with my mom. I would come out of my shell that way. So I ended up stumbling into acting. It was the one thing that I found a passion for.
Stand-up for me is usually a weekend thing. I go out of town and just do it.
I often find out, once people have trained, you can never really re-train. When you get trained, you learn to lock up; you learn a wrist lock and, okay, onto the next thing, onto the next thing. You never really go back to the fundamentals.
I do sit-ups and push-ups at home, and that's about it. I have a gym card, but I never go there. It's a front. I pay for the membership every couple of years, thinking I'll be embarrassed enough to go. But every time I go, there's like people twice my age that look twice as good!
Go back?" he thought. "No good at all! Go sideways? Impossible! Go forward? Only thing to do! On we go!" So up he got, and trotted along with his little sword held in front of him and one hand feeling the wall, and his heart all of a patter and a pitter.
I don't like getting up in front of people and being the loud one when everybody's out quiet and you're the only one talking. I'm not a fan of that. I'm fine when I get in front of a camera, I don't care. You'll never see me on stage. Not at all.
When the Internet came along, the first thing I did was look up Wu-Tang so I could print out their symbol and glue it onto my skateboard.
Most of my comedy writing happens through improvisation on stage; doing it in the moment. Going up with an idea and fleshing it out over time on stage and in front of people until it becomes a full bit.
I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
I take a subject, then I go on stage, and whatever is in there comes out. You can edit as you go and continue to work it out on stage until it's something you like, but I never think about it. I just go up and flow.
.. I get more of a dreamy thing from the audience - it's more of a thing that you go up into. You get into such a pitch sometimes that you go up into another thing. You don't forget about the audience, but you forget about all the paranoia, that thing where you're saying, 'Oh gosh, I'm on stage - what am I going to do now ?' - Then you go into this other thing, and it turns out to be like almost like a play in certain ways
So I made an outline. Well, you know, days are going by, and I am not writing anything because this thing is laid out in front of me. It's as if you get every brochure for a trip you are going to go on and you get the minutest details of every step along the way. Well, I really doubt you're going to then get in the car and go. You know, it's like, why bother if it's all laid out in front of you?
There's no feeling as a musician better than being on stage, sharing music with strangers. People you have never met, singing along, and making that connection with somebody is so awesome.
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