A Quote by Joel Meyerowitz
Then I thought, Whoa. If there are no photographs, then there is no history. I'm going to get in there. I'm going to make these pictures. We need a record.
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You just witnessed something I've never seen in my entire life. They just called that team (Tennessee) the winner. They said whoa, whoa, whoa, whoa, whoa, whoa, whoa, (whistles) come back here. Then they called us the winner. I'm a tell you right now as an experience, dammit, I'm going to enjoy that one as much as I hate to admit it.
I thought, 'Oh, acting is going to be great - I get to play different parts.' And then these auditions started coming up for terrorist, terrorist, terrorist, and I'm going, 'Whoa, what's this about?'
There's no destination. There's no getting anywhere. There's just the going. The key to life is to make the going really fun. Because people that are like, “If I just get to this, then boom!” And then they get there and there's this dawning of an afterwards. Whereas I'm just always in the going. And it's not a frantic going like, “I gotta keep going or I'm gonna go nuts!” I can not do anything for weeks or months if I need to and just sit and read books or watch movies. I'm just as fine consuming and absorbing new art as I am trying to make it. But it's all in the going.
I did everything, I thought I was going to be in marketing, then I thought advertising then I thought I was going to be an architect and then I was like 'you know what, let me just be a soap star!'
You're not going to hit it every single time, and that's why, when I record an album, I do probably close to 50 songs. Each song I record has to get better. If it's not better than the last song that I made, it'll usually linger for a couple of months, and then it'll be put on the backburner, and then there'll be another song that I do, and then it often doesn't make it on the album.
...it is pretentious for photographers to believe that their pictures alone change things. If they did, we wouldn't be besieged by war, by incidents of genocide, by hunger. A more realistic assessment of photography's value is to point out that it is illustrative of what's going on, that it provides a record of history, that photographs can prompt dialogue.
When I was 19, I thought [Brokeback Mountain] was going to be the best movie ever made. And everyone was going to see it and it was just going to be incredible. And then nobody saw it and it didn't get bought at Sundance. And it was a really great experience. Humbling. And then it's since found its way.
If you are not going to produce albums then you are not going to produce new fans. It's impossible. I'm a huge believer in putting music out as quickly as early as possible, touring hard and then working on putting the next one out. I don't need to break. I just need to put a record out.
Christmas morning, I'm going to open presents with my kids. I'm going to take pictures of them opening the presents. Then I'm going to come to the Staples Center and get ready to work.
If you do something that's going to get somebody a job, then they'll be able to pay for their kid's school, and then their kid is going to be a doctor, and then that doctor is going to probably help who knows how many other people, so it's very motivating. Much more fun than going to the beach.
And then computers got to a point where you could just record directly into them. So when that happened, funny enough, I thought, Right, I'm going to learn how to do this because then I can understand that part.
Hollywood is a business and movie studios are only going to do what's going to make money. It's not an altruistic thing. They are blatant grabs for money. Responsible studios want to make quality pictures, but at the same time nobody is going to make quality pictures they know aren't going to make any money.
You don't get a script sent to you for two years, it crosses your mind, 'Gee, what's going on?' Then five years pass, and pretty soon a decade has gone by. Finally, you say to yourself, 'Well, if in fact that's it, then let me be happy with 30 pictures that made about $460 million and pictures that made a lot of people laugh.'
A lot of artists feel it's not worth it to sign with a major label, because if you don't have a giganto hit, then you're not going to get a video made. You're not going to probably get much tour support. You're not going to get promotion. You're certainly not going to get a publicist who's going to pay much attention to you.
I don't like people who make records and then don't ever perform. If you are going to make a record it's important you get out there so people can see you if they want to and get to hear you if they want to.
It was a game we should have won. We lost it because we thought we were going to win it. But then again, I thought that there was no way we were going to get a result there.
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