A Quote by Joel Meyerowitz
Making any statement of your feelings is risky. It's just like making pictures.
Related Quotes
I wish I could be a better writer, but writing is so difficult. I get seduced by visual aesthetics. Because I just like making beautiful pictures, sometimes I wander away from making a clear statement.
You look on the Internet, and people are transforming themselves on a daily basis, and it's not a superficial thing, it's not a vain thing, and it's not an "I don't like the way I look" thing. It's people truly being creative. It's a way of making your mark and making a statement, and I love that. Beauty is making a statement in whichever way you choose to do so, and I think that's a beautiful thing.
I'm making the art for me first. I'm making it because these are the pictures I want to see. I'm making pictures that don't yet exist.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
Because even very young people are expert readers of pictures, you can convey very complex and subtle messages through pictures that you'd need loads of words to explain. Making a picture book is also a bit like making your own film - and you can make anything you want happen, however impossible!
When you go through all your life processing and abusing your hair so it will look like the hair of another race of people then you are making a statement and the statement is clear
Securities based on risky mortgages are what toppled financial institutions but it was the government that made the mortgages risky in the first place, by making home-ownership statistics the holy grail, for which everything else was to be sacrificed, including commonsense standards for making home loans.
Taking good pictures is easy. Making very good pictures is difficult. Making great pictures is almost impossible
In practically every film you experience, you can see the director following the text. Illustrating the words first, making the pictures after, and, alas, so often not making pictures at all, but holding up the camera to do its mimetic worst.
The pleasure of making things beautiful or useful involves your feelings as well as your thinking. When your original sketch evolves into a tangible, three-dimensional object, your heart is anxiously following the process of your work. And the love involved in making it is conveyed to those for whom you made it.
For me, making a movie is kind of like vomiting. Not that film is like vomit, but more like this mass of ideas and thoughts that you have and just have to put them out there. It's not even about making perfect sense - it's more about making perfect nonsense. I don't do too much soul-searching or self-analysis. I just enjoy making things.
I need human feelings to fit garments. I couldn't do it just, like, on an object - it's too close to our body. It's like a skin you are making, so you need one's feelings to make a garment.
I never know if my picture is a good picture or a bad picture, because I'm not making pictures thinking of the public, I'm making pictures to realize myself.
I fell in love with movies as a kid. I had been making shorts and making TV and making commercials and it's such a difficult, weird process of trying to wing your first feature, especially if you're not going to go and just have a Kickstarter and do it on your own.
It's always great when a director is just supportive of what you're doing. They're not so much critiquing you but giving you more ideas, giving you tons of things to work with, making you question your character and making you think about it... and making it seem like everything is limitless. That usually helps a lot.
It's the way I enjoy making art - I like sitting down and making five beats; I enjoy that process. I can go two weeks without making a song and just making beats and I'll be OK.
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