A Quote by Joel Miller
With its brutal excesses and reliance on snitches and finks as informants, I don't think it's far off-kilter to describe the modern-day drug war as oddly similar to the Salem witch trials.
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The Taliban is the Muslim version of the Salem witch trials.
Basically, I was always disappointed that the witches weren't real when we learned about the Salem witch trials.
My next book is on the Salem witch trials. As a small-town Massachusetts girl, this makes me very happy. So does the reunion with documents!
The three hundredth anniversary of the Salem witch trials of 1692 comes at a time when witchcraft commands a scholarly attention that would have been puzzling in 1892 or even in 1792.
Consider the clinicaltrials by which drugs are tested in human subjects.5 Before a new drug can enter the market, its manufacturer must sponsor clinicaltrials to show the Food and Drug Administration that the drug is safe and effective, usually as compared with a placebo or dummy pill. The results of all the trials (there may be many) are submitted to the FDA, and if one or two trials are positive—that is, they show effectiveness without serious risk—the drug is usually approved, even if all the other trials are negative.
Without really analyzing it, I grew up in Massachusetts, so the Salem witch trials were always something that I was around. The average kindergartner probably doesn't know about it, except that in Massachusetts, you do, because they'll take you on field trips to see reenactments and stuff.
If American literature has a few heroes, Miller is one of them. He refused to name names at the McCarthy hearings, and his play 'The Crucible' analysed the hearings in the context of a previous American mass psychosis, the Salem witch trials.
When we learned about Salem at school, the whole thing was confusing. Because the idea of the witch hunt is used as a symbol to describe people searching for something that's basically untrue, it cemented in my mind as a kid that witches weren't real.
Dead Witch Walking is basically a modern-day witch living in Cincinnati.
'Dead Witch Walking' is basically a modern-day witch living in Cincinnati.
That to me is the basic message of events like the rise of Nazism, the Salem witch trials, and so on: not that bad people do bad things, but that good people do bad things.
I believe in all the qualities of being a liberal. I keep going back to all the great social events in our country's history, starting with the Salem witch trials, where the conservative view was that they're witches and should be burned at the stake, and the liberal view was there's no such thing as witches.
Even the best of us have certain psychological mechanisms that can suddenly kick in and turn us into monsters. That to me is the basic message of events like the rise of Nazism, the Salem witch trials, and so on: not that bad people do bad things, but that good people do bad things. It's distressingly easy for those mechanisms to be triggered, either consciously by demagogues, or naively by people who think they're trying to do the right thing. Which is why I think it's more akin to tic-tac-toe.
My whole day revolves around food. If you think you've won the day, only because you haven't eaten over 1,000 calories, you know that things are off-kilter. That's not a healthy way to be thinking.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
How would you describe the difference between modern war and modern industry-between say, bombing and strip mining, or between chemical warfare and chemical manufacturing? The difference seems to be only that in war the victimization of humans is directly intentional and in industry it is "accepted" as a "trade-off." Were the catastrophes of Love Canal, Bhopal, Chernobyl, and the Exxon Valdez episodes of war or of peace? They were in fact, peacetime acts of aggression, intentional to the extent that the risks were known and ignored.
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