A Quote by Joel Salatin

We've got this cultural mentality that you've got to be an idiot to be a farmer. — © Joel Salatin
We've got this cultural mentality that you've got to be an idiot to be a farmer.
It's completely idiot proof." I told them they've got it all wrong. I want a machine that is "idiot friendly.
Eric Bischoff is a total, complete idiot, maybe the single stupidest idiot that ever got into wrestling.
I got a restless mentality, I got to move around.
Here in Europe some of the challenges have to do with structures that are so complicated. You've got Brussels, and you've got parliament, you've got councils and then you've got national governments. So people sometimes don't feel as if they know who's making decisions, and the more that we can bring people in and engage them, the better. Some of it is also cultural and social, people's sense of identity.
The future of Arab films is absolutely up to Arabs and no one else. They've got the equipment, they've got the will, they've got the talent, now they just need a little bit of history behind them and a bit of cultural relaxation.
I've got a winner mentality, the mentality of a champion.
When the farmer has got his house, he may not be the richer but the poorer for it, and it be the house that has got him... a man is rich in proportion to the number of things which he can afford to let alone.
We are in the process of creating what deserves to be called the idiot culture. Not an idiot sub-culture, which every society has bubbling beneath the surface and which can provide harmless fun; but the culture itself. For the first time, the weird and the stupid and the coarse are becoming our cultural norm, even our cultural ideal.
We’ve got customers. We’ve got suppliers. We’ve got employees. We’ve got unions. We’ve got communities. We’ve got all of these things that go into making up whether a business succeeds or fails.
Doing a concert, I look at a room full of different people, and I see you've got Muslims, you've got Jews, you've got Christians, you've got gays, you've got straights, you've got blacks, you've got whites. I think, 'How can I unite these people through song?'
The mentality in Washington is, 'Look what our government - what our government can do for the American people.' We've got to get away from that mentality, and realize it's too expensive. We can't afford it.
My father was a drill sergeant, and I've always had that mentality drilled into me of 'you've got to do better, you've got to do better.' I just try to listen to the characters. That's what works for me.
When I got out of school, I spent two years just hitchhiking around. Every time I met some old farmer who could play banjo, I got him to teach me a lick or two. Little by little, I put it together.
We've got a cultural issue in America. We've got to change the whole way the issue is looked at. That's the mission. Some in the political process don't have enough patience for that, and I probably don't either.
I've got my own studio, and I've got four- to five-hundred unreleased tracks. I've got stuff that's electronic, orchestral, jazz, I've got rock, I've got metal, you know, I don't have polka.
Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control.
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