A Quote by Joel Siegel
Real movie producers arent this nice.
Related Quotes
Real movie producers aren't this nice.
It can really vary from movie to movie what the producer's role is and there are all kinds of producers. There are line producers who do a lot of the nuts and bolts work on the set.
Producers and studios know what sells. It's nice to be one of the guys that can help sell a movie by taking his shirt off.
How can depression be real if our eyes arent real?
The first movie that I ever said was my favorite movie - and I've said for the longest - is 'The Producers,' Mel Brooks' original 'Producers.' The two lead performances from Zero Mostel and Gene Wilder are both unstoppable performances and then supported by amazing supporting characters throughout.
Nic [Cage] is more than just a fantastic actor. He will get your movie made. The first thing that we did is that we went to producers and there were a lot of great producers.
It would be nice to do one real Hollywood movie.
Producers say things that they would like to see in the movie but they don't see the full picture. In the end if you ignore everything the producers say, of course, you get fired; but then if you listen to a producer on everything then it's like 'Hey - why don't you direct your own movie?'
Producers don't like the director who ignores their opinion - but I always try not to be the nicest person when making a movie. It's easy to do that. Just say 'Yes sir', "Alright', 'Okay' - but they're not seeing the movie because if they can, they should be directing the movie.
It's not the 'nice' guy who brings about real social change. 'Nice' guys look nice because they're conforming. It's the 'bad' guys, who only look nice a hundred years later, that are the real Dynamic force in social evolution.
To me the only real star of the movie is the writer. And I work with writers very closely, from outline to first draft and on to the seventh draft, whatever it takes. Then my job is to support the director to make the best movie we can. Some producers try to go past them, but my job is to support them.
Even in our business, as is the world, we are in the age of specialisation. You see a lot of names of producers on a movie. If you have the idea, if you oversee the development, if you oversee the production, if you help package the movie, you sell the movie - you can be a producer. There's not a lot of us who do the whole gamut.
Creative differences are legendary in this movie business, so we're really not exploring the creative-difference aspect as opposed to the money aspect, or the fact that something can come up in a movie and literally put the whole movie on the line, and this is where producers have to earn their keep.
If your goal is to be the biggest movie star in the world, a 10-movie contract is gold. It was never my goal. Up until now, I made movies - and I have a nice house, a nice car. I'm fortunate, happy and grateful. Life is good.
I didn't come in as a writer that found producers, I came in under producers. So I've always respected the actual production process and producers in general.
The Postal is a ruthless, Mad TV-type thing. We sent out a DVD to the South Park producers, and they liked the movie so much that we can say now, "It's like South Park with real actors" on the trailers and posters.
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