A Quote by Joel Silver

If the audience sees and feels things are real, then they buy it. — © Joel Silver
If the audience sees and feels things are real, then they buy it.
I like to service the full audience of America, so I try to do things that are just real artistic, like when they don't have the most money, but it's a great piece of work. Then, there are big, fun comedies and big animated movies for kids. I want to do things for my nieces and nephews. Ultimately, we're trying to deliver something entertaining to an audience. As long as it can entertain the audience, and it makes me or my niece and nephew laugh or cry, then I think it's good.
Doing reality TV is hard. You get lost. You are shooting three months before anybody sees it. So you are past [the emotions]. Then when it airs and the public sees it, they react and it drags you back. It feels you have grown, but then you suddenly feel like you haven't moved at all.
Soon now, as the Negro awakens a little more and sees the vise that he's in, sees the bag that he's in, sees the real game that he's in, then the Negro's going to develop a new tactic.
When you play a smaller, more intimate venue, you can have real conversations with your audience, take risks, and stay current. You can also change the set list, on how the day feels or how the audience reacts. When you do arena shows, every arena looks and feels the same. You can't see who is in the room.
In recitals, you are naked before the audience - well, naked with your jacket and tails. The audience sees and hears the real person, not some role you are interpreting.
We've been trained to spend money since we were born with all these commercials with toys and G.I. Joes and Transformers. But there's so many things in the supermarket, there's so many things on television that automatically, when you turn it on, are saying, 'Buy! Buy! Buy! Buy! Buy! Buy! Buy!'
There are three kinds of friends in the world. An ordinary person sees only who you are; for that you don't need a friend. Then there's a friend who sees in you what you can be. And then there's the real holy Friend, and the presence of this Friend you are already.
When I make movies, I have a lot of respect for my audience. I think my audience is smart. If there's a way to be entertained and get things out - real things, not stupid moral crap - that's the best.
You can do 'Hamlet' while performing cartwheels... as long as the audience sees your eyes - you can make the performance real.
When one sees me on screen I hope he or she only sees and feels the character, not Shefali.
I feel the most connected to my art when it comes from my real life and hopefully the audience feels that.
Mysteriously, as elusive as it is, this moment--where the eye is what it sees, where the heart is what it feels--this moment shows us that what is real is sacred
Travel sharpens the senses. Abroad one feels, sees and hears things in an abnormal way.
You can put things in prose and understand them one way, and then there's understanding it by knowing how it feels. Things aren't real until you can feel that, until you can empathize with them. That's what protagonists do in books.
I think that the audience feels a real connection with Zoe Kazan because she's so instantly lovable.
Our economy is based on spending billions to persuade people that happiness is buying things, and then insisting that the only way to have a viable economy is to make things for people to buy so they’ll have jobs and get enough money to buy things.
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