A Quote by Joel Sternfeld

The digital print is becoming the look of our time, and it makes the C-print start to look like a tintype. — © Joel Sternfeld
The digital print is becoming the look of our time, and it makes the C-print start to look like a tintype.
We love the flexibility that print and digital formats give us, and diving deep on a print feature can be one step in a longer project that generates a lot of digital stories.
A couple of things for the not-so-diminutive man: avoid any prints that are large scale, because you will look like the print is wearing you, as opposed to you wearing the print.
I feel like the Earth is a re-print of a re-print of a print of a re-print.
I'm sad to see celluloid go, there's no doubt. But, you know, nitrate went, by the way, in 1971. If you ever saw a nitrate print of a silent film and then saw an acetate print, you'd see a big difference, but nobody remembers anymore. The acetate print is what we have. Maybe. Now it's digital.
I love a wild animal print. Not just a leopard print - I'm talking about a tiger or zebra print, too.
The advent of Kindle, the iPad, and other portable reading devices has so far simply resulted in turning analog print into digital print while keeping the same linear prose format.
Print is still responsible for a significant portion of the revenues that, you know, pay for the work of the newsroom. But, you know, digital is very important. And part of the thrill of having this job now is I get to lead us through what is both a thrilling and very challenging transition from a print world to a digital world.
If our brands are going to be in print and on mobile handsets and in video and events, we have to acknowledge that the playing fields are going to be different than a print-only product or a print product with extensions to it.
My goal is to create a sustainable long-term business that, we're committed to print, we're rooted in print, but we're expanding into digital and into modernizing the way we sell to customers through e-commerce and things like that. And it requires different skill sets; it requires different ways of doing business.
Local television news, on both radio and television, is so appalling. Makes print journalism look like the greatest stuff ever written.
The worst was I had little control in terms of smoothing out my questions and making myself look good the way I could in print. All the ums and uhs and rambling and apologies and hyenalike laughter at something that really isn't funny. You know when an artist will crack a joke, and you're like, "That's so hilarious," like, the fawning laughter that you can at least cut when it's print? It's just all out there, and it's really humiliating.
3D printers give us what we've all been craving: another reason to talk to technical support. When you finally get the thing working, though, you'll be able to print out your grocery list as a cube! When you look up directions online, you can print the map out on a globe!
You can't print everything and that's not good for filmmaking, because you wanna have as many options as possible and print as much as you can, but if you're going to shoot a film - an independent movie on film, the only way to really do it is to print your selects.
Well, it wasn't really a decision on my part although you always hope as an author that a book that goes out of print somehow winds up back in print. These days publishers like to put out-of-print books into e-book form, but I really wanted to do an update.
Self-publishing worked for me. Being able to put your work in print, even if it's a tiny print-on-demand print run of a dozen or so copies, shows publishers and editors a completed piece of work and that you can follow through on a project.
My earliest design work was print, and that was my first love. Of course, as the years went on, I did more and more Web design and less and less print. And like everyone who made the switch from print to Web design, I bemoaned the lack of control.
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