A Quote by Joel Sternfeld

The job of the color photographer is to provide some level of abstraction that can take the image out of the daily. — © Joel Sternfeld
The job of the color photographer is to provide some level of abstraction that can take the image out of the daily.
Whatever it takes to get the image to reach that level is what that photographer needs to do.
There's a level of service that we could provide when we're just at Harvard that we can't provide for all of the colleges, and there's a level of service that we can provide when we're a college network that we wouldn't be able to provide if we went to other types of things.
Some have said that if you take a great picture in color and take away the color, you'll have a great black-and-white picture. But if you're shooting something about color and you take away the color, you'll have nothing.
Novelists do not write as birds sing, by the push of nature. It is part of the job that there should be much routine and some daily stuff on the level of carpentry.
I remember one of my first prayers when I became a Christian was simply, 'God, provide a job for me. I don't care how hard I have to work, just provide a job and opportunity so that I can take care of my family.' And you know, that was really all I asked from Him.
With modelling, you provide an image that is fake; with acting you have to provide an image that's real.
Whatever it takes to get the image to reach that level is what that photographer needs to do. And for me, I just have such a love of the tactile and sensuous quality of a black and white silver gelatin print.
I've never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning - but some phase of photographer I've always been.
Use no superfluous word, no adjective, which does not reveal something. Don't use such an expression as 'dim land of peace.' It dulls the image. It mixes an abstraction with the concrete. It comes from the writer's not realizing that the natural object is always the adequate symbol. Go in fear of abstraction.
I'm a big fan of pops of color, but I thought I would take that to the next level and do a color-blocked Rolex. This watch is the perfect accessory whether you're wearing a tee and jeans or a well-tailored suit.
In a way, it's like the photographer always has his vision of me. The pictures that I'm known for are not really my image, they're always the photographer's vision of me. I can look a hundred different ways, but what people see of me in pictures is not really my image.
Because Guillermo's [del Toro] obviously a painter painting a picture and my job is just to provide the color that he probably already has in his mind.
The script is the coloring book that you’re given, and your job is to figure out how to color it in. And also when and where to color outside the lines.
The script is the coloring book that you're given, and your job is to figure out how to color it in. And also when and where to color outside the lines.
I always take a relationship to the next level. If that works out, I take it to the next level after that, until I finally reach that level when it becomes absolutely necessary for me to leave.
... the photographer is a thief who chooses what he steals (which, at this stage of the crisis, is a luxury) and does not democratize the image, that is to say, the photographer selects the pictures, a privilege which ought to be granted to the person being photographed.
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