A Quote by Joell Ortiz

I'm really, really, really, really conservative with money. I got to give myself a lot of excuses to spend money, because I come from nothin'. — © Joell Ortiz
I'm really, really, really, really conservative with money. I got to give myself a lot of excuses to spend money, because I come from nothin'.
If you do an indie film, where it's like, "We don't have a lot of money to give you, but we'll really give you a lot of freedom," that's really a luxury to have in this business. At least for myself, because I'm still kind of earning my acting credibility.
I love my home. It's the only thing I really spend money on. I don't really spend a lot of money on anything else. No fancy cars. No designer clothes.
Trickle-down economics - it didn't work. The whole idea was supply-side economics: give rich people a lot of money; they'll spend it, it'll go into the economy. Here's what we found out - rich people, really good at keeping all the money. That's how they got rich. If you want it in the economy, give it to the poor people. You know what they're really good at? Spending all their money.
You can only do three things with your money. You can spend it. You can invest it. Or you can give it away. And if you invest it, you're really just getting more money to give away or buy something. How many things can you buy? So I don't really think there's a lot of choices.
I've got my eye on a few things to spend my money on. I've got my own bank card but I am really good with money. I don't spend too much at all.
I don't spend a lot of money on myself, really.
I made a lot of money. I earned a lot of money with CNN and satellite and cable television. And you can't really spend large sums of money, intelligently, on buying things. So I thought the best thing I could do was put some of that money back to work - making an investment in the future of humanity.
Money is important in the rap industry because you're always rapping to be bigger than the other person - bigger than who you're rapping to. A lot of my music is really, really, really humbled down. I don't have as much money as the average rapper, but I'm still good.
I talked to people that I'd done theater with, older actors and stuff. There's a lot of people who go into the business, and they must think they're good, or they wouldn't be in it. Why do you think that you're good enough to go into the business and make money at it? So I really wanted to ask myself that question a lot. Because it was an important kind of thing that I was going to do. I really wanted to do it, I loved it, and I thought that I was good enough that I could make money at it. And that's really what it came down to.
You always hear actors say, 'Theater is my first love,' and it is. It's a time when you really get to do what you do, and there's not a lot of waiting around and interruption and not a lot of money involved - sometimes money really clouds the waters of creativity.
A lot of artists are just really stupid about money, and it's really hard to find somebody who kind of thinks of shuffling money around and doing business as an art.
I usually just dress myself. I typically make something or buy something and fix it up. I really like to spend my money on accessories like bags, shoes, belts. I don't really spend on things I can make.
The real takeaway should be to give your money to conservation programs around the world that are really working hard to save tigers in their range countries and not give your money to sanctuaries, which are really, effectively just caging tigers and cats.
Making money is awesome and fun as hell, but they're saying, "Well, you're offered a whole lot of money to do this," and it's like, well, I do want the money, but I don't really do that - like headline a big festival or something like that. I could go there and do that, but it isn't really what I do. It feels weird to me.
You have to be ready to give everything you have, and you have to make sure you've really got a lot to give. Because if ... you're not ready to give everything you have, ... then you're nothin'.
In the record business, if you sign an artist that don't really know too much about the business, you can really get over on them in a lot of different ways, so it's a lot of people that don't give artist the game because they're trying to make the most money in the fastest way off their artists.
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