A Quote by Joell Ortiz
You can have a phenomenal booth artist and he can get in there and be a technician in the booth and it won't translate on the stage. I think that's what makes emcees emcees. Some rapper dudes are great rappers but it don't translate on stage.
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Back in the days the great emcees made singles, had great shows, won battles, had all the girls and dressed fly. That¹s what I'm about...the total package emcees.
When somebody tells me, 'The Source magazine had you in the Top 5 emcees,' I'm like, 'Okay, that's cool.' The other four may not be who I consider dope emcees.
Take 7 emcees put em in a line
And add 7 more brothers who think they can rhyme
It'll take 7 more before I go for mine
And that's 21 emcees ate up at the same time.
A lot of people's favorite rappers will literally get in the booth and just make sounds.
Somehow, German just vanished at some point. We already started at an early stage to translate our albums, and at some point, we started to write only in English.
Cinema is a medium that can translate ideas. But wood can translate ideas, too. You have wood and then you get a chair. Some ideas are for different things.
If you can perfect the booth, the stage and just your persona, like maybe in interviews and when people talk to you, then you're a full well-rounded emcee in my opinion.
The challenge is to translate the song into something that works on the stage. It's pop music, but I try to keep it as loose as possible.
One can be a great artist without being a great technician. There have been many famous ballet stars who did not have the ideal body or total mastery of all aspects of the art form, but on the stage they possessed magnetism-true artistry, by which I mean a charismatic quality. You can work with a coach to try and develop it, but a true artist has the ability to express his inner feelings naturally.
When I write a song today, basically it goes on the stage tomorrow. That's the way it works. You cannont interrupt your consciousness; it all comes from the subconscious, it can happen anywhere. It could be in a telephone booth.
Having a stage name is like having a Superman complex. I go into the telephone booth as Eric Bishop and come out as Jamie Foxx.
People didn't really take white rappers seriously until Eminem, because he was better than everybody. Like female emcees, you need to be like Lauryn Hill or Nicki Minaj or killing everything before somebody takes you seriously.
I had a lot of respect for Prodigy. He brought the hood to the booth. When we were trying to shape this rap thing into something, he was one of the cats I respected for bringing the hood into the booth.
In the early days, some producers and directors saw me in the musical 'Evita' and cast me in their movies. They heard me singing on stage also, but they couldn't translate that into a Hindi movie song.
There's the shared imagery between hip-hop and comics, with some producers and emcees taking on super hero personas.
I'm a touring artist - I love going out and playing live, and I was sick of making records didn't translate well live - that misrepresented who I was as an artist. I'm not saying those records weren't good. I think they're great. I think a lot of them have great songs. My challenge was making the songs that were specifically great for the type of personality I wanted to present which was my personality - I wanted to get that across on record - and have something that was fun and energetic live.
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