A Quote by Joell Ortiz

If you can perfect the booth, the stage and just your persona, like maybe in interviews and when people talk to you, then you're a full well-rounded emcee in my opinion. — © Joell Ortiz
If you can perfect the booth, the stage and just your persona, like maybe in interviews and when people talk to you, then you're a full well-rounded emcee in my opinion.
If you go on stage, or on TV, then there is an impetus that comes about to be a persona. A completely different character. But when you're someone like me, you don't want to have a persona. I want to be exactly who I am on stage.
Steven and I stood on the stage at the Boston Garden after the Stones had just played there and the stage was still up. We had been playing cards, maybe a high-school dance, to 400 or 500, maybe a thousand. We just stood on the stage and thought, 'Well,man,maybe someday.' In 4 years that was OUR stage.
I think the smart teams are chasing those well-rounded players, making that well-rounded lineup, having that well-rounded team.
I never wanted to be well-rounded. I do not admire well-rounded people nor their work. So far as I can see, nothing good in the world has ever been done by well-rounded people. The good work is done by people with jagged, broken edges, because those edges cut things and leave an imprint, a design.
For me, I've been known as a very well-rounded fighter, and I think that's really important, that you're well rounded and comfortable in every situation that a fight can go. A lot of people focus on just one discipline, and when they get out of that, they're in a difficult position.
I'm the same on stage as I am off stage. A lot of people who I admire - Bruce Springsteen, Jackson Browne - are not that different either. You hope that if you met them that they'd be as nice and well-rounded as they appear.
Well, just coming off the stage and there's like 180,000 people out there and your adrenaline is going so high, and you're doing so much and it's hard to just put your head on the pillow and sleep because it just goes on and on, even after you're off the stage.
People in general misunderstand me. I'm very aware of the stereotype that comes with being a basketball player. But I'm well-rounded. I'm cultured. It's funny: When I speak, people are like, "Wow! You can really talk." I'm like, "What did you expect?"
I write songs. Then I record them. And later, maybe I perform them on stage. That's what I do. That's my job. Simple. I don't feel comfortable doing interviews. My profession is music, and writing songs. I like to do it, but I hate to talk about it...Music is spiritual. The music business is not. Being famous was extremely disappointing for me. When I became famous it was a complete drag and it is still a complete drag.
Maybe your country is only a place you make up in your own mind. Something you dream about and sing about. Maybe it's not a place on the map at all, but just a story full of people you meet and places you visit, full of books and films you've been to. I'm not afraid of being homesick and having no language to live in. I don't have to be like anyone else. I'm walking on the wall and nobody can stop me.
You can have a phenomenal booth artist and he can get in there and be a technician in the booth and it won't translate on the stage. I think that's what makes emcees emcees. Some rapper dudes are great rappers but it don't translate on stage.
An emcee is a Master of Ceremonies. If you're an emcee, and I am an emcee... I rhyme, you know what I mean? I do things for my fans that still appreciate me, let them know what's coming.
The sports space is so full of opinion that you aren't hearing from the athletes just speaking for themselves. We are such a Twitter-oriented society with radio talk shows, TV talk shows and social media - what you are missing is the authentic, unfiltered aspect of who these people are.
maybe memories are like karaoke-where you realize up on the stage, with all those lyrics scrawling across the screen's bottom, and with everybody clapping at you, that you didn't know even half the lyrics to your all-time favourite song. Only afterwards, when someone else is up on stage humiliating themselves amid the clapping and laughing, do you realize that what you liiked most about your favourite song was precisely your ignorance of its full meaning- and you read more into it than maybe existed in the first place. I think it's better to not know the lyrics to your life.
I think I should get a bigger between-the-song persona, so then I'm not wandering around the stage like some mad old auntie that's saying hello to people and falling over.
The thing about interviews is that if someone interviews you, and they're an idiot, then they make you sound like an idiot, too. They ask you stupid questions, and they bring you down to their level. It's tempting to not ever want to talk to anybody, but you can't do that.
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