A Quote by Joely Richardson
So finally, I can feel a sort of pride in all my family - Mum, Lynn, Corin, Tasha, my cousin Gemma - because, I think how wonderful that this troop of gypsies can carry on telling stories.
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I write my own stories. I like telling stories to little children. I think the good thing about stories is they carry you to another place which you've never been. And you feel like you're just enveloped by the book and the characters.
My Mum was the main reason why I became a chef. She influenced all of my family to feel free in the kitchen - it was the centre of our home and I have wonderful memories of helping Mum cook and experiencing the love and patience that went into the food.
You can hear how hard I work, I think, from these stories I'm telling. I'm incredibly dedicated and I'm sort of known as that to a point that people tease me about it.
I was very small, about 3 or 4 I think, and just wanted to be the people on telly telling these wonderful stories. Obviously the idea grew and matured with me but I can't ever remember wanting to do anything else. I've just sort of taken it for granted all my life that that was what I would do.
I don't think it's going to be possible for the next generation of writers to tell stories without telling stories about telling stories.
As I got older, my pops tried to keep me involved with the culture by telling me the stories of the conflict between Ethiopia and Eritrea, how he came to America, and about our family back home, because all that side of my family - my aunties, grandparents - is in Africa.
My real purpose in telling middle-school students stories was to practice telling stories. And I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times. And the way I would justify it to the head teacher if he came in or to any parents who complained was, look, I'm telling these great stories because they're part of our cultural heritage. I did believe that.
I think that stories, and the telling of stories, are the foundations of human communication and understanding. If children all over the country are watching films, asking questions and telling their stories, then the world will eventually be a better place.
That's how my family bonded - eating and telling stories.
I don't think I've ever signed onto anything as quickly as I did The Hollars, because I come from a really loving, well-connected family, where we see each other all the time. And when I was done with this script, I was like, "Oh my god, that's my family!" This is obviously a very dysfunctional family, but there was something about it that was sort of universal. And I think that in this day and age in today's world - there's a lot of drama out there. It's nice to tell stories about things as simple and powerful as family.
My family were great story-tellers. My mum was one of 12 and they were all fighting to tell stories. You have to tell a good tale or no one is going to listen. You have to make it entertaining and interesting. That's how I learned to tell stories.
You and I, we must carry on, Gemma. I cannot afford the luxury of love. I must marry well. And now I must look after you. It is my duty." "If you wish to suffer, you do so of your own free will, not on my behalf. Or Father's or Grandmama's or anyone's. You are a fine physician, Thomas. Why is that not enough?" "Because it isn't," he says with a rare candor. "Only this and the hope of nothing more? A quiet respectability with no true greatness or heroism in it, with only my reputation to recommend me. So you see, Gemma, you are not the only one who cannot rule her own life.
My mom is American, so I was raised in her household in my formative years. But as I got older, my pops tried to keep me involved with the culture by telling me the stories of the conflict between Ethiopia and Eritrea, how he came to America, and about our family back home, because all that side of my family, my aunties, grandparents, is in Africa.
When I did 'E.T.,' it sort of solidified the only family I know are these film crews. These gypsies. These filmmakers. That was the solidification and the clicking revelations of 'This is what I want to do with my life and this is where I'm going to survive.'
Why the connection with musicians? I think it's because in the end we're doing very similar things - we're telling stories, we're using poetic, lyrical language, and we're distilling stories down into their simplest form. We're both telling a story in two languages - word and music for them; and word and image for me.
I do think we have a responsibility to be aware of the stories we're telling and how those stories will be interpreted and what sorts of value systems we're celebrating.
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