A Quote by Joely Richardson

Everyone knows in the industry that when these great roles come up, every two years, there's a huge number of people up for them. I'm not one of those top five females that can personally finance any film.
I worked on 'Boone' for five years. I tried to find money for it. I couldn't. I ended up selling my house to finance it personally.
We've grown from 18% of the profits of the top 25 companies in our industry to 23% of the profits of the top 25 companies in our industry over the last five years. Profits are up over 70%, where the industry profit is up about 35%. Pretty good.
Now both my films have been number one at the Australian box office and it took about two years just to get the finance for this film, so if it's hard for me then God help everyone else.
I don't pretend to be a general or an admiral or anything else, but I just - every time I see - I see President [Barack] Obama get up, "Ladies and gentleman, we are sending 50 people to Iraq," 50.So that's bad in two ways. Number one, it's such a low number that the enemy's saying is that all?And number two, when you think 50, those people now have a target on their back. They wanna find those 50 people and they look for those 50 people.
The most thankless job in our film industry is that of lyricists. Next in the list are writers. These two don't get any recognition at all, whereas they have the most important roles in every film today.
We think of the number "five" as applying to appropriate groups of any entities whatsoever - to five fishes, five children, five apples, five days... We are merely thinking of those relationships between those two groups which are entirely independent of the individual essences of any of the members of either group. This is a very remarkable feat of abstraction; and it must have taken ages for the human race to rise to it
The number of African Americans in Silicon Valley is dismal. It's not up to one company - it's up to the entire industry to make sure that we are moving the conversation forward. Sometimes those walls of competition need to come down so we can move the entire industry forward.
The Shield was only around for what? Two years? And we did a lot in two years. I think the fact that people even take those two years and put them up against the reputations of those other groups really says a lot about what we were able to accomplish in that short period of time.
If you take men and lock them in a house for five years and tell them to come up with two children and they fail to do that, then we will chop off their heads.
People are saying we need more females in our industry and we need more female-driven stories, but that takes the men of bankable star quality to come forward and play supporting roles in those films because, ultimately, that's what the women have always done.
I've had two great years, probably five good years. So I had 20 years of just kind of uncertainty and suffering and ego destruction and poverty. All these things. There's no way I'm ever going to catch up to the misery years. It's impossible... If I don't do anything dumb or I don't get a disease or something, and then I've got to five to eight years I think where it'll really be great and then it will start to degenerate like uranium, you know?
People often ask me why I don't take up more heroine-oriented roles. My question is, 'Where are these roles?' I really appreciate actresses who sign only films with meaty roles. However, there aren't too many of them. The industry is simply male-dominated.
Several years ago, as I was transitioning from film finance to film production and writing again, someone asked me how long I would try to get back into filmmaking before I gave up? My response was "giving up" was not an option.
I remember in 37 when trolley cars were so big in New York. It was five cents for a ride... There used to be open-air buses, and you could go up a spiral staircase and sit up on top. Those were great, great days.
I remember in '37 when trolley cars were so big in New York. It was five cents for a ride... There used to be open-air buses, and you could go up a spiral staircase and sit up on top. Those were great, great days.
You know, right now, they say - I don't know who says this, but somebody told me - there's three male roles to every female role. And I guess I'd work on evening that up. Making great roles for women. It's just such a huge challenge.
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