A Quote by Joely Richardson
When I very first started out, I had that arrogance of youth.
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We had every problems starting a big top could have. The tent fell down on the first day. We had problems getting people into the shows. It was only with the courage and arrogance of youth that we survived.
When I made my first record, I was very naive, and I didn't know much about production, and I had a very basic amount of equipment, and I was just digging through vinyl for samples in a very old-fashioned way. It was very loop-based and very cut and paste, and that's the way I started out.
When we started out, we were among the first. Beijing had no and Shanghai had very few large buildings. At that time, it was all about building, building, building - and then selling, selling, selling. We were working like a manufacturer. Soon, however, we realized that land was running out in Beijing and Shanghai. So we started keeping our buildings, and managing and renting them out. We became landowners. That was the second act.
I used to be very shy. When I first started, I had to go to a casting, and I had to go in a bikini. I thought I was too skinny. But I went in and got the job! And that's how I started.
The very first Walnut Whales recording was recorded just a few weeks after I had started singing, out of the blue, started singing. And the voice, you can hear how uncomfortable I am with it, and how terrified I am with it.
I did a show called 'Freaks and Geeks' when I was very young. And I had the naivete and arrogance of youth. You know, I really assumed that when the show got cancelled, like, oh, it doesn't matter, you just keep rolling, you know. I'm about to be the biggest star of the world. And then I was met with five years of unemployment.
After my bar mitzvah, I started to assimilate, to really not pay attention to my roots. The anti-Semitic experiences of my youth had been very painful. You try to put all that in the past and become a person of the world. I think that's the right thing to do. But it's not right to leave out who you really are. That's a tragedy.
One of the key guitars in my career has been an early-Seventies Fender Telecaster Deluxe that I had before Sonic Youth started and that I played pretty much throughout Sonic Youth.
All I had was a CD with beats. I wrote to every beat on that CD, and when I got off punishment, I put out my first mixtape. I passed it out all around school. I started going to the studio. I started doing shows.
'One Tree Hill' will always be very, very special to me. It was my first television show. And my first gig in the business. It was surreal. I booked the role when I was 13. I had just started high school, and literally, I think, a week into high school, I found out I got the role. It was unimaginable! I learned so much from that show.
For me the most moving moment came when I first started working on 2001. I was already in awe of him, and he had very much already become Stanley Kubrick by the time the film started.
I had a lot of self-doubt when I started. And I still do. But I had a lot of the wrong kind of self-doubt when I first started making music and first started to tour. I think I was a little bit deferential.
I remember the youth movement in 1968. It started on American university campuses as a protest against the Vietnam war, then came to Paris, Frankfurt and Berlin. Within a year, you had an uprising of youth against their elders.
As plans for the first lunar landing started to be made, nobody had really thought about who would be out first.
Arrogance generally is a bad thing, but with a band, somehow you have to have this gang mentality or this certain degree of arrogance to push forward an idea that's new enough that people aren't comfortable with it at first.
I engaged - started engaging in yoga as a physical practice, but very quickly found out there was something broader to it, and that it was actually helpful for my pain, and started to get into meditation, started to study the Upanishads and the Bhagavad Gita and a lot of the scriptures associated with yoga, the Yoga Sutras, and very quickly came to this conclusion that this had a huge impact on my ability to lead, but, more importantly, the ability to control my sympathetic nervous system, which had a direct tie to the pain in my arm.
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