A Quote by Joey Ansah
With action in Hollywood, a choreographer will be hired to design an amazing fight, with all these cool little narrative bits, such as a fighter having to perform a certain move because he's been injured and can only move that way, but it can all get lost in translation because the director then does what he wants with it and then passes it on to the editor, who does his interpretation of the fight. It becomes almost like Chinese whispers, so sometimes the end fight you see on film is so different to how it was conceived and looked on the day.
Quote Topics
Action
Almost
Amazing
Because
Becomes
Been
Bits
Certain
Chinese
Choreographer
Conceived
Cool
Day
Design
Different
Director
Does
Editor
End
Fight
Fighter
Film
Get
Having
Hired
His
Hollywood
How
Injured
Interpretation
Like
Little
Looked
Lost
Lost In Translation
Move
Narrative
Only
Passes
Perform
See
Sometimes
Then
Translation
Wants
Way
Will
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Related Quotes
Action is cool but it's all down to the director's interpretation at the end of the day, so you have to serve his visions and do what you can. So, you do your job to the best of your ability, you perform the fight and then it's out of your hands. It's then down to the director or the producer. You can give your opinion but often it's not heard. Actors have their riders and all kinds of contract terms and one of my big ones as I continue to make a name for myself as a top action guy is that I design my own action in films and oversee the edit.
Every film, every fight choreographer, wants to have a different flair, have a different fight technique. So any film I've done that involved weapons has always been fascinating because everyone is different.
I have a fierce will to live. Others fight a little, then lose hope. Still others - and I am one of those - never give up. We fight and fight and fight. We fight no matter the cost of battle, the losses we take, the improbability of success. We fight to the very end.
Fight, fight, fight and more fight. If you have that burning desire in you, if you're just one of those guys that does not like losing and you fight and you fight and you fight, that's what makes you a good wrestler.
Pushing for excellence is a fight. You have to fight to hire the right employees, fight to get the supplies you need, to move line items around. Being a great manager means pushing to get those few extra inches every day. It's almost like a football game - the team that wins sometimes wins by just inches.
I do not care who I fight. Line them up. I will let the fans pick. That is the way to do it because I am a fans' fighter. I want to fight the people they want me to fight. I will fight Tyson, Lewis, Tua, Rahman, whoever. I am a real fighter. You do not see too many real fighters out there today. You have these patsy papier - mâché champions.
It's interesting because when David Fincher was making "Fight Club," he said, "It's a romance." And it really is. Almost everything I ever write is just a romance. And that needed to be sort of pointed up at the end of "Fight Club." The film has a very different ending than the book does.
If the fighter doesn't want to fight, you're not gonna want him to fight. If the fighter doesn't want to fight, the promoter doesn't make him fight. And if he wants to retire, then it's time to walk away.
You're playing and you think everything is going fine. Then one thing goes wrong. And then another. And another. You try to fight back, but the harder you fight, the deeper you sink. Until you can't move... you can't breathe... because you're in over your head. Like quicksand.
Film’s thought of as a director’s medium because the director creates the end product that appears on the screen. It’s that stupid auteur theory again, that the director is the author of the film. But what does the director shoot-the telephone book? Writers became much more important when sound came in, but they’ve had to put up a valiant fight to get the credit they deserve.
Even when you spar for real and fight with full contact in training, you get hurt or you hurt someone and you see them trying to fight back. I want to inject as much reality as possible into fight scenes, even if some of the moves are slightly larger than life, if the emotion is there you'll then still be able to buy it. I recall seeing some films where people perform an acrobatic flip mid-fight and land with graceful precision and it's almost like watching Zorro... it's almost whimsical but you're no longer engaged.
In any fight that I go into, I don't like to complain about stuff because at the end of the day, a fight's a fight.
Every day, I am reminded that our life's journey is really about the people who touch us. When you die, it does not mean you lose to cancer. You beat cancer by how you live, why you live, and in the manner in which you live. So live. Live! Fight like hell. And when you get too tired to fight, then lay down and rest and let somebody else fight for you.
"You're a sex icon." Why? Because I played a vampire in a movie? It's all very unearned. If I had the best freaking abs in the world or if I looked like Brad Pitt does in Fight Club, then cool, but I'm not starving myself.
Jon has always been able to start off at a certain pace but then pick it up throughout the fight and then, at the end of the fight, his opponents are like, 'Damn, this guy is at another level.' I think that's what makes Jon Jones, Jon Jones.
I don't like to have a strategy going into a fight. If he has a good right hand or a good kick or good submissions then I'll try to avoid that, but I like to be in a fight and I like to go into the fight. Even in jiu-jitsu I didn't think of pulling this guy into guard or take him down because I like to go into the fight and see what happens.
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