A Quote by Joey Jordison
I pretty much use the same stuff live that I use in the studio. I don't like the feel to change too much.
Related Quotes
I use the word totally too much. I need to change it up and use a word that is different but has the same meaning. Mitch do you like submarine sandwiches? All-encompassingly.
If you are going to use military force, then you ought to use overwhelming military force. Use too much and deliberately use too much; you'll save lives, not only your own, but the enemy's too.
I use Maybelline New York Great Lash Mascara. Thanks to my mother, I have really long lashes, so I've never had to use too much product. I've used this mascara since I was 15, and it's the only one I use. A lot of people think I wear extensions, but nope, I just apply lots of mascara because it's the one thing that makes me feel pretty!
There's only a couple of coffee cups I'll use, because I like the way they feel in my hand. I realise I've got lots of others, but I won't use them because I just don't like... the thickness of the ceramic is too much, or the glaze isn't right.
Aging gracefully is one thing, but trying to slow it down is another. Sometimes I use Botox. Compared to most, I use it very sparingly. One time I did too much, though. I feel weird if I can't move my face, and that one time I overdid it, I felt trapped in my own skin. I don't have a problem with any of that stuff; if it makes you feel better about yourself and it's done properly, then fine.
There's a price you pay for drinking too much, for eating too much sugar, smoking too much marijuana, using too much cocaine, or even drinking too much water. All those things can mess you up, especially, drinking too much L.A. water ... or Love Canal for that matter. But, if people had a better idea of what moderation is really all about, then some of these problems would ... If you use too much of something, your body's just gonna go the "Huh? ... Duh!"
I love being brown, so I love using Guerlain Terracotta Bronzing Powder. I use it everywhere: my forehead, my cheekbones, a little bit by my chin. It gives me a golden balance that I really like. I also use the Becca Shimmering Skin Perfector for my highlighter right underneath my eye. It's a pretty color - it's not too much and not too little.
If I really feel that I want to shoot live people and live backgrounds, then that movie will become live-action. If I don't have any particular actors I want to use, I'd probably consider animation for that project. Which medium I use doesn't really make that much difference to me.
Jealousy is like a hot pepper. Use it mildly, and you add spice to the relationship. Use too much of it and it can burn.
Hollywood films are alienating to the spectator because they use too much dialogue, too much explication and leave no space for the viewer. They depress me. I use direct sound, mono not stereo. Just direct sound, so for every shot there are only two sources. Sound creates an intimate effect: the sensation to feel the place. It makes the viewer enter. You have the liberty to hear what you want.
When I feel really insecure, or I'm in a social situation where I'm nervous about how I come off, or I'm trying to control the situation too much, I literally just try and use the same muscles that I had to use on stage - just paying attention to the other person and trusting yourself to respond as emotionally honestly as possible.
I mainly use Stratocasters. I like a lot of different kinds of guitars, but for what I do, it seems that a Stratocaster is the most versatile. I can pretty much get any sound out of it, and I use stock pickups.
I'm pretty much a dinosaur in the studio. I like things hand-drawn, even today. The story artists use Cintiqs, but I'm the only person who hasn't completely converted to computers. I like the Cintiq, but there's something about the raw emotional power of using paper and pencil.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
Every time we go into the studio and use a different engineer or producer I try to look, listen and learn their approach. That has helped with the gear I look for to use live and in the studio.
Sometimes when you have multimedia, people use it too much. It has to be a tool and not the end product, if you can use it as a tool. The same thing apples when you are recording. We had this problem in the 80's, we got so computerized there was no heart and soul in the music anymore.
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