A Quote by Joey Jordison
What made me want to play drums in the first place was Led Zeppelin and The Who. My parents had their records, and I grew up listening to them with the stereo cranked.
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I did not want to go onstage and play Led Zeppelin songs; there has to be more than that. I wanted to create a complete experience of what Led Zeppelin means to me, growing up around them and being part of it all my life.
I grew up with my parents always listening to rock music. My dad wanted me to play guitar, but I always had more of an ear for drums. He really wanted me to be a guitar player, like him.
I don't think drums had ever sounded so big until Led Zeppelin's first album.
I wanted to play drums, and I got a set when I was 14 and just started to play in the house, to the stereo. I liked Ringo Starr, of course. And Sandy Nelson. I had his record, 'Let There Be Drums,' and I'd play along with it.
I never listen to Led Zeppelin. But, I mean, I don't think Robert Plant or Jimmy Page listen to Led Zeppelin, either. We all probably obsessed over the same old blues records growing up.
Led Zeppelin was Led Zeppelin when John Bonham was on drums. It's timeless.
I grew up listening to albums by Pink Floyd, Led Zeppelin and Jimi Hendrix, and they all worked on that multi-layered level.
Good records - from my point of view, where I grew up which was Led Zeppelin and Jethro Tull... bands that were pushing the envelope a little - musically and in production.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
I grew up in a very musical household. My brother had KISS and Van Halen records, but my parents loved country and show tunes, so I had all of those records when a kid. I pretty much knew exactly what I was going to do at a young age. I loved album covers, I loved listening to a record and staring at the art while listening to it. When I got older and discovered paining, drawing and PhotoShop, I was able to do both simultaneously; I enjoy making both.
After my dad passed away, I had this bizarre goal. I wanted to play drums for Led Zeppelin. I just wanted to be able to say, 'Dad, I did it.'
I'd seen the Led Zeppelin reunion and I've never been such a huge Led Zeppelin fan as much as the Doors or Beatles. I went and saw the reunion and watching them play "Stairway to Heaven," it was very breathtaking for one reason mostly. I can imagine these two guys looking at each other, Robert Plant and Jimmy Page. Not to compare us to Led Zeppelin, but I did miss the fact that I could look over at the guy, Twiggy Ramirez, that wrote "The Beautiful People" and "Dope Show." Emotionally, it's taken a long time to repair that.
I grew up listening to The Beatles, Led Zeppelin, and every record those bands put out was very unique in its own right. I have that mentality. too: if a song sounds like something I've already done, then I'll throw it out, because I want each record to be a progression.
There's such a currency to Led Zeppelin, or the members of Led Zeppelin. If I put it to you this way, on the run-up to the O2 concert, the only music that we played was music of Led Zeppelin - the past catalog stuff; that's what we played on the way towards shaping up the set list for that. But we played really, really well.
Without Metallica, I wouldn't be doing what I am doing. I have every Metallica record, of course, and I would spend hours on drums in my parents' basement with the stereo behind me, cranking those records and learning Lars' drum beats, beat by beat.
I was living in different accommodation and it was never in a place where I could set up my drums and play, so my drums would end up back in their cases and then in the garage. In the end I got used to the drums being locked up, I went a good eight years without touching drums.
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