A Quote by Joey Kramer

I was a big Pretty Purdie fan. I have heavy rhythm and blues influences, and that is what I bring to the table with Aerosmith. — © Joey Kramer
I was a big Pretty Purdie fan. I have heavy rhythm and blues influences, and that is what I bring to the table with Aerosmith.
I've always been a fan of Buddy Guy as a guitarist, as well as Stevie Ray Vaughan and those blues guys. I'd say those are pretty big influences on me.
I think a fan is a fan and when they support you and when they love you and when they embrace you and what you bring to the table, as long as you bring something that's quality to the table they're going to show up and support it.
I was addicted to rhythm 'n' blues pretty much directly into folk music. I had my little 45s of mostly black artists. That was as close as I got. I've never listened to heavy rock or stuff that jangles my nerves, because I'm already jangled.
When I came to The Moody Blues, we were a rhythm and blues band. I was lousy at rhythm and blues - I think the rest of us were.
Our repertoire consisted of rhythm and blues, sort of country rhythm and blues, Sonny Terry things.
I want to go back to the format that radio started with rock n' roll, with country artists and rhythm and blues with that oldies type feeling. I want to put it all together and create a Top 40 of rhythm and blues and country and straight blues with Wolfman at the reins.
My big influences are Joni Mitchell, and a lot of classical and Indian music, as well as Nina Simone and the personal blues and jazz of Billie Holiday. Other influences for me include Bjork, Nick Drake, and Sufjan Stevens.
I'm a big, big blues fan and the last several years I've really invested in the blues a lot, and I think my playing is getting better because of it - not necessarily better on a technical level, but certainly on a level of appropriateness.
I would think, to me, growing up in the south, growing up with all the gospel music, singing in the church and having that rhythm and blues - the blues background was my big inspiration.
When I started off in Wales, I sang and accompanied myself with guitar in the '50s. And then I got a band together, which is a rhythm section, really. I used to do a lot of blues, and rhythm and blues, and '50s rock 'n' roll and country, and all kinds of stuff.
When I wrote the song, I had the sea near Bombay in mind. We stayed at a hotel by the sea, and the fishermen come up at five in the morning and they were all chanting. And we went on the beach and we got chased by a mad dog-big as a donkey. ... I think that songwriting changed when groups started spending more time in the studio. ... I've written so many songs about Englishmen, I have to go elsewhere. ... Our repertoire consisted of rhythm and blues, sort of country rhythm and blues, Sonny Terry things.
I'm not a big fan of table reads or sitting around a table and reading a script. I'd rather do it on set and do it for real.
Always been a big heavy metal fan. I remember being 15 saying, Dude I'm going to love heavy metal forever. Heavy metal til I'm 60. I'm 35 now. I think I'm going to give it one more year.
There was a time when black and navy blue suits were pretty much everything you saw. That has completely changed. People are wearing big checks, checks with browns and blues and shades of gray, and the scale is very large, and some of them are very bold with heavy contrasts.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
I'm not a big blues fan, but I don't know anyone who doesn't dig B.B. King.
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