A Quote by Joey Sturgis
The problem you get with most today's drum samples is that when you use them, you sound like everyone else using them.
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I strive to create drum samples that have a variety of engineering and capturing options in order to build a unique drum sound.
Some records with drum machines on them sound phony and plastic. It all depends on how you use the tools.
Most governments, not all of them, but most, certainly don't want their citizens using gold. They want them in the currency that they are creating. When they are debasing money, or printing money, they are spending it and they want it to have as much value as possible when they originally spend it. Of course once they spend it, it will lose value for them and everyone else that holds it. But they need demand for their currency. They need as many people as possible holding it and transacting it. The more people that use gold, the harder it makes it.
Businesses need to proactively create models that make a difference in society and let everyone else use them, talk about them, emulate them - and build on them.
With a computer, you have access to so many drum sounds and samples that your snare drum will be unrelated harmonically to your kick drum.
Before I came to WWE, they sent me samples of all of the entrance music, so I told them, 'I don't use this,' and 'I don't use this,' and, 'Please mix music with violin,' and they would make samples, and I would give my opinion, and this would go back and forth until, finally, they made 'The Rising Sun,' and I was really happy to have that.
When you write like everyone else and sound like everyone else and act like everyone else, you're saying, 'Our products are like everyone else's, too.'
In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.
Use them with care, and use them with respect as to the transformations they can achieve, and you have an extraordinary research tool. Go banging about with a psychedelic drug for a Saturday night turn-on, and you can get into a really bad place, psychologically. Know what you're using, decide just why you're using it, and you can have a rich experience. They're not addictive, and they're certainly not escapist, either, but they're exceptionally valuable tools for understanding the human mind, and how it works.
The important thing about doing art and writing is that we are using our voices and using them really, really loudly. And to any girls or young women who want to write comics, I tell them, "You have to use your voice. You have to take up space." We have to fight to be heard. No one else is going to fight for us.
Even though my songs may sound very personal, to me most of them are fiction. It is a great way for me to be able to live a fantasy life as a writer because I get to be someone else, someplace else for three and a half minutes, just like the listener.
Other than rhythm, the only thing I could say is that I take a great deal of pride in every single sound I use. I'm always making sure that I'm not using a pre-set or something that everyone else has done.
When you write songs, you have to like them yourself first, but then you have to make everyone else like them, because you can force them to play it, but you can't force them to like it.
Everyone truly does have God-given gifts. Find them and use them, and don't let anyone else tell you that you are less than who you are.
We all have those friends that tick to their drum, and you don't want them to tick to anybody else's drum.
We want to build technology that everybody loves using, and that affects everyone. We want to create beautiful, intuitive services and technologies that are so incredibly useful that people use them twice a day. Like they use a toothbrush. There aren't that many things people use twice a day.
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