A Quote by Joey Tempest
A man is an island, but the water is deep
And the shore on the other side is ragged and steep
To look for perfection is a lonely old ride
It takes a whole lot of courage and a whole lot of pride
When you look for independence and you get what you want
How come you look back, thinking what have I done?
But time and again, it dawns on me
It's the price we pay for liberty
I should have know, we all need a place to call home
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When you look for independence and you get what you want, how come you look back thinking what have I done?
I look white to a lot of people. And I'm not. I'm African-American. I'm mixed. I like to call myself Mulatto because that definition fits. So, you know, I've dealt with the conflict my whole life between how I look and my actual ethnic and racial identity.
We are always yapping about the 'Good Old Days' and how we look back and enjoy it, but I tell you there is a lot of hooey to it. There is a whole lot of all our past lives that wasn't so hot.
If I hadn't had my children, I would have been discouraged a lot quicker. It would have been much more easy for me to say, "You know what, let the whole thing go. Have a good time, because these people, this place - it's just not worth it." You know? I can't do that anymore. I look into those eyes and they look at me so trustingly that I'm gonna make sure that [they're thinking], "Hey, you did a good thing bringing me into the world, daddy. I'm going to have a great life!"
You look at Iran, you look at North Korea, you look at terrorists, we don't even know where to look. We don't know where to look. But believe me, you can look all over, so we are going to do that. We need a form of shield. We want to protect our country.
It is very important to go home if you want your work to be whole. You don't have to move in with your parents again and collect a weekly allowance, but you must claim where you come from and look deep into it. Come to honor and embrace it, or at the least, accept it.
I have the kind of personality that I always look ahead than look at what's happened. It does help a lot, especially when you've done badly or you've failed. It's instinctive of me that I look at what's next, I look ahead a lot, and start preparing for that, in victory and in defeat.
How do I stay confident? I just look at my accomplishments that I've made so far. It's a very conceited thing to say, of course, but I just look at everything I've done and all the fans that write letters to me. Sometimes I even look at the good YouTube comments and really pay attentions to them. I've inspired a lot of kids, and it's not every day you get to hear about that when you have this kind of career.
I look back on my life like everybody does but not just career. I mean I look back on my life as a whole, so I don't think that I dwell there or anything and in terms of work I hope that there is a lot in front of me.
If you actually get that you're not entitled to be loved, not by one person, not by anybody, and if you get that and then you look at people who love you - who love you - who think, my life is better because you, you are in it - that they get up and think, my whole world is better because you're in it, that for some reason they love you, and that they walk this world when you're not around thinking, but you're in it, and they come home and they want to call you, they want to come home and see you, your face - you can never make a person love you but somehow they do.
If you write, fix pipes, grade papers, lay bricks or drive a taxi - do it with a sense of pride. And do it the best you know how. Be cognizant and sympathetic to the guy alongside, because he wants a place in the sun, too. And always...always look past his color, his creed, his religion and the shape of his ears. Look for the whole person. Judge him as the whole person.
I know a lot of other actors that don't like to look at other references to their characters and things. But I like it. I always look at everything, I read all the books. I read Dieter's "Escape from Laos." I watched the documentary again and again and again. I recorded it just to listen to him a lot. I just don't suffer from feeling like I'm getting caught into an imitation. I just feel like I want to steal some good stuff if it's in there.
A bunch of people are gonna be mad at me, I’ve got some kind of medical issue that’s going to kill me in a while if I don’t deal with it, oh, and the island’s blowing up tomorrow and taking a whole lot of the country with it if I don’t fix it.” Thomas gave me a steady look. “So,” he said. “Same old, same old.
People are like, 'How does Julianne Moore look naked?' I don't know. She was pressed up against me the whole time. I couldn't look at her.
I think George just nailed the whole thing, the whole time period, the whole look and feel of what that newsroom was like. I did a lot of research for the role and believe me, it's all pretty genuine, down to the very last cigarette butt.
I think for a lot of artists, if you're lucky enough to have a kind of career, especially toward the end, you start to think about what the whole ensemble looks like. It's the whole that counts. The parts are given, but you don't know how the whole thing's going to look when it's all put together.
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