A Quote by Joey Votto
Almost all the great players I admire performed well deep into their 30s and their 40s, almost all of them, and I don't think I'm any different.
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I don't just want my books to be about the '30s and '40s. I want them to read as if they had been written then. I think of them as '40s novels, written in the conservative narrative past.
My favorite decade of cinema would be kind of the '40s, yeah. I like things in the '30s, but you know, the sound recording in the '30s wasn't very good. But for some reason the movies in the '40s have the best personalities: Jimmy Stewart, Gary Cooper, Betty Grable, Gene Tierney, and all those people. For some reason, I seem to gravitate more toward the '40s, and I don't necessarily know why. I just love the people.
For the first few years I wrote jokes and performed them word for word and then wrote tags for them and did that word for word and that worked pretty well. Now, I do almost all of my writing on stage and then record and listen for any new things and then I write those down.
If you ask almost any of them, do you stand behind your theory, is this the answer, I think they would almost every one say that no, no, no, I'm just trying to expand the range of possibilities. We really don't know what is going on.
If you ask almost any of them, 'Do you stand behind your theory? Is this the answer?' I think almost everyone would say, 'No, no, no. I'm just trying to expand the range of possibilities.' We really don't know what's going on.
Almost. It’s a big word for me. I feel it everywhere. Almost home. Almost happy. Almost changed. Almost, but not quite. Not yet. Soon, maybe. I’m hoping hard for that.
There are things that happen, at different times in your life. You go through natural changes in life, when you reach your 30s, mid-30s and 40s, and you go through these different stages.
I'm a great supporter of transcendental meditation. I've been using it for almost 40 years now - and I think it's a great tool for anyone to have, to be able to utilize as a tool for stress. Stress, of course, comes with almost every business. I think there are enough studies out there that show that TM is something that could benefit anybody. It's a great system to use. Otherwise, why would I've been doing it for all these years, for almost half of my life?
I have to live, socially, in an almost unfinished society. Among the almost great, among the almost true, among the almost honest. That allows me to describe the anguish.
I think being Jewish has been covered really well but almost nothing about being fundamentalist Protestant. For years, I've had a movie in my mind called 'Total Immersion' that looks to my life as a kid where you're immersed in this different worldview from almost everybody around you.
The one thing with writing stories about the rise of fascism is that if you wait long enough, you'll almost certainly be proved right. Fascism is like a hydra - you can cut off its head in the Germany of the '30s and '40s, but it'll still turn up on your back doorstep in a slightly altered guise.
Almost any dog thinks almost any human is the Great Spirit, the Primal Creator, and the Universal Force Behind the Sun and Tides. What human can resist?
I think Hollywood has gone in a disastrous path. It's terrible. The years of cinema that were great were the '30s, '40s, not so much the '50s...but then the foreign films took over and it was a great age of cinema as American directors were influenced by them and that fueled the '50s and '60s and '70s.
Life is made of moments and choices. Not all of them matter, or have any lasting impact Then there's a different kind of moment. One when things are irrevocably changed by a choice we make. A moment we will play endlessly in our minds on lonely nights and empty days So we explain it to ourselves, justify it enough to sleep. And then we bury it deep, so deep we can almost pretend it never happened. But as much as we wish it were different, the truth is, our worlds are sometimes balanced on choices we make and the secrets we keep.
I was lucky that I was getting exposed to a lot of different kinds of films, and I was liking them all. So it seemed logical to me that you could - as in the style of the studio directors of the 30s and 40s - jump from one genre to the next, with the same satisfaction.
I think every team is different. If you have younger players, you're going to play them a little bit more. If you have guys in their mid-30s, you're probably going to pull back on it.
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