A Quote by Johan Santana

My changeup looks like a fastball, but one goes straight and the other goes away from the righthanded hitter. Sometimes it cuts by itself, and I don't know where it's going.
I'm the kind of guy who, if I look inside and they throw me a fastball outside, and it's a strike, I'm going to swing. Everything in the strike zone, I'm going to swing. Doesn't matter if it's a fastball, changeup, breaking ball. If it's in the strike zone and it's something you like, you've got to swing.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
You don't think progress goes in a straight line, do you? Do you recognize that it is an ascending, accelerating, maybe even exponential curve? It takes hell's own time to get started, but when it goes it goes like a bomb.
The great thing about the animation process is that is goes from, I write the lines, it goes to the actors, the actors bring a whole world to that, they bring the characters to life, then it goes to the animators, then it goes to the editor who cuts it together, and then you screen it and it goes back through the system again.
When I say that life is like an onion, I mean this: if you don't do anything with it, it goes rotten. So far, that's no different from other vegetables. But when an onion goes bad, it can either do it from the inside, or the outside. So sometimes you see one that looks good, but the core is rotten. Other times, you can see a bad spot on it, but if you cut that out, the rest is fine. Tastes sharp, but that's what you paid for, isn't it?
Narrative should flow as flows the brook down through the hills and the leafy woodlands...a brook that never goes straight for a minute, but goes and goes briskly, sometimes ungrammatically, and sometimes fetching a horseshoe of ¾ of a mile around and at the end of the circuit flowing within a yard of the path that it traversed an hour before; but always going and always following at least one law, always loyal to that law, the law of narrative, which has no law. Nothing to do but make the trip; the how of it is not important, so that the trip is made.
I'm a fastball hitter. It's no secret I'm looking for a fastball every pitch. I think it's one of the hardest things to do in sports-to hit a moving baseball.
I've always been fastball-curveball and really relied on that pitch, and when it goes away, it just totally changes how you attack hitters.
'This thing I feel, I can't name it straight out but it seems important, do you feel it too?' — this sort of direct question is not for the squeamish. For one thing, it's perilously close to 'Do you like me? Please like me,' which you know quite well that 99% of all the interhuman manipulation and bullshit gamesmanship that goes on goes on precisely because the idea of saying this sort of thing straight out is regarded as somehow obscene.
Clear mind is like the full moon in the sky. Sometimes clouds come and cover it, but the moon is always behind them. Clouds go away, then the moon shines brightly. So don't worry about clear mind: it is always there. When thinking comes, behind it is clear mind. When thinking goes, there is only clear mind. Thinking comes and goes, comes and goes, You must not be attached to the coming or the going.
The world looks like it was designed. Of course, the Sun also looks like it goes around the Earth. It is only thru science that we know that both of these perceptions are wrong.
Anytime a pitcher hasn't faced a hitter, I feel the pitcher has the advantage. The more times the hitter sees somebody, the more the advantage goes to the hitter.
Mitt Romney looks like a guy modeling briefs on a package of underwear ... He looks like a guy who goes to the restroom when the check comes ... He looks like a guy who would run a seminar on condo flipping ... He looks like he is the closer at a Cadillac dealership.... He looks like that guy on the golf course in the Levitra commercial.
I did all the right things in so many tournaments. But like I said, sometimes in sports it just goes the other way. Maybe you've already won so much that it evens it out a bit sometimes. I don't know.
I threw a good fastball and changeup, but a below-average curveball.
The big thing I noticed from High-A to Double-A is that when you have an advantage count as a hitter, you're not going to get as many fastballs. Adjusting to the 2-0 changeup, that 3-1 off-speed pitch - things like that. I think my swing can stay the same; I just was getting myself out.
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