A Quote by Johann Georg Hamann

If only I was as eloquent as Demosthenes, I would have to do no more than repeat a single word three times. — © Johann Georg Hamann
If only I was as eloquent as Demosthenes, I would have to do no more than repeat a single word three times.
If only I was as eloquent as Demosthenes, I would have to do no more than repeat a single word three times. Reason is language - Logos; I gnaw on this marrowbone and will gnaw myself to death over it. It is still always dark over these depths for me: I am still always awaiting an apocalyptic angel with a key to this abyss.
If language were liquid, it would be rushing in. Instead here we are in a silence more eloquent than any word could ever be.
I had left the music industry at the end of 2001, after 10 years, and had spent three years writing every single day - producing two unpublished novels, one abandoned novel, and three unproduced screenplays. The word 'no' and I were on more than nodding terms. The word 'no' and I were talking about going on holiday together.
The more you simplify, the better people will perform. People can not understand and keep track of a long complicated set of initiatives. So you have to distill it down to one, two, or three things and use a framework they can repeat, they can repeat without thinking about, they can repeat to their friends, they can repeat at night.
Consider this: there is not a single word in [the Sermon on the Mount] about what to believe, only words about what to do. It is a behavioral manifesto, not a propositional one. Yet three centuries later, when the Nicene Creed became the official oath of Christendom, there was not a single word in it about what to do, only words about what to believe!
There is something strangely determinate and fatal about a single shot in the night. It is as if someone had cried a message to you in one word, and would not repeat it.
The greatest and truest models for all oratorsis Demosthenes. One who has not studied deeply and constantly all the great speeches of the great Athenian, is not prepared to speak in public. Only as the constant companion of Demosthenes, Burke, Fox, Canning and Webster, can we hope to become orators.
Please don't refer to me as "channeling Mark Twain." I'm an actor. Not a channeler. That word is an iPhone shortcut. Acting is more eloquent than that.
The sermon of your life in tough times ministers to people more powerfully than the most eloquent speaker.
I sat with him for three hours and we did not exchange a single word. At the end he handed me, as he had done before, an envelope with money in it. It would have been much nicer if he had enclosed a greeting or a loving word. I would have been so pleased if he had.
If unable to abstain from drinking, a man may get drunk three times a month; if he does it more than three times he is culpable; if he gets drunk twice a month it is better; if once a month, this is still more laudable; and if one does not drink at all what can be better? But where can I find such a man? If such a man were found he would be worthy of the highest esteem.
To me, the big thing in being a successful team is repetition of what you're doing, either by word of mouth, blackboard, or specifically by work on the field. You repeat, repeat, repeat as a unit.
Much more is accomplished by a single word of the Our Father said, now and then, from our heart, than by the whole prayer repeated many times in haste and without attention.
I go to the gym three times a week and do Pilates three times a week, but not for more than an hour. It's not healthy.
I've never been funny. I don't think I'm funny. People say I'm funny. I go, 'No. No. I'm not.' But again, knowing what it means to film on a TV show and on film, you have to repeat, repeat, repeat. You have to do the same thing a number of times if you're filming a sequence. And to carry that energy in a comedic mode, would be a challenge that I really would frightfully scared, but I'd have to buck up and pull up my bootstraps and say, 'I can do this. Let's figure it out.'
The inferiority of photographs to the best works of artists, so far as resemblance is concerned, lies in their catching no more than a single expression. If many photographs of a person were taken at different times, perhaps even years apart, their composite would possess that in which a single photograph is deficient.
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