A Quote by Johann Johannsson

I had three older sisters whose record collections I borrowed, so I was listening to The Velvet Underground as well as Bach and brass band music. — © Johann Johannsson
I had three older sisters whose record collections I borrowed, so I was listening to The Velvet Underground as well as Bach and brass band music.
I would go into my three different sisters' rooms in the early-mid '70s and they had very specific different tastes in music. I specifically remember lying on my different sisters' bedroom floors and listening to their record collections. And "Starship Trooper" was one of my sister Nancy's favorite songs and favorite album. Music is so defining for me. In the late '70s and early '80s, I worked in radio. When I was in high school, I worked at two different radio stations.
At 18, I moved to L.A. with my heavy metal band Avant Garde, which was very much influenced by Metallica. At 19, I got a job at Tower Records, and everything started to change very quickly. I started listening to the Velvet Underground, Pixies, early Nirvana, Sonic Youth, and also earlier music like the Beatles.
I think Andy Kaufman is to comedy what the Velvet Underground was to music - it's like, 80 thousand records sold, but everybody who bought one started a band.
In the '70s, anybody who was a connoisseur of collecting vinyl had the velvet brush. Remember the velvet brush? It would clean the record, and you would only grab the record from the sides and you would carefully slide it into the jacket. I never had a velvet brush.
Well, I never made a record to be in the Christian market. So when I made my record it was to exist in all of the markets. I grew up not really listening to tons of Christian music and if I did it was in the context of all the other music I listened to. So when I made the record I definitely had plans and visions and dreams.
There's no place for Depeche Mode and the Sisters of Mercy in the music I make with my band. If I was a fan, I wouldn't want to hear that on a Black Veil Brides record. It was important for me and for the integrity of the band not to tarnish it.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
Not many people bought Velvet Underground LPs, but those who did, started a band.
I've grown up in the Treme, and I played in a bunch of brass bands. My brother, James Andrews, had a brass band.
The first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band
Being in this band [the Spice Girls] is like having four (three now) older sisters. They all look after me and I couldn't dream of leaving them.
My favorite model of success is when people say, 'Nobody bought that first Velvet Underground album, but everyone who did started a band.'
I grew up listening to the Neville Brothers and the Rebirth Brass Band.
A lot of the music is the kind of thing I grew up with, listening to it with my parents. So there was a band in London called the BBC Big Band, and I sang with them. And I had never done a big band before, and it was just so fantastic and I had such a good time...so that's how it all came about
The Velvet Underground is probably the best band that's ever existed, assuredly the best American one.
So, I play in a band. It's a really underground band. Super underground. Very underground. Like, we don't even actually play.
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