A Quote by Johann Johannsson
I think there's very little interesting in art that is not transgressive in some way. And I don't think that's a very revolutionary thing to say.
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The art of writing is the art of doing what you think you're doing. This is not as simple as it sounds. It implies a very difficult undertaking: the necessity to think. And it implies the requirement to think out three separate, very hard problems: What is it you want to say? How are you going to say it? Have you really said it?
Fairfield Porter who has been my model for art writing all along, said that if the most interesting thing about a work of art is its content, it's probably a failure. I think it's true that if you find yourself thinking about the meaning in an author's message, it's probably not very interesting as art. Obviously, this is a tough concept, because if you withdraw intention.
Yes. The way people behave, the paradoxes, the contradictions. All these things we have to live with and still pretend that everything is only black or white. That, I think, is the most interesting thing in human nature. The fact that we have to do one thing and pretend something else. That’s when it becomes very interesting. If you can literally speak the way you feel, then it’s not interesting anymore. It’s when you have to lie that it becomes interesting.
There are very few good writers about art, and you either get art-fashion writing with trendy views or you get very traditional writing. Occasionally, you get people who can write in an interesting way. Really, I think in a sense art writing needs to be renewed as well. It's in a pretty bad condition.
There is a certain sense in which I would say the universe has a purpose. It's not there just somehow by chance. Some people take the view that the universe is simply there and it runs along-it's a bit as though it just sort of computes, and we happen by accident to find ourselves in this thing. I don't think that's a very fruitful or helpful way of looking at the universe, I think that there is something much deeper about it, about its existence, which we have very little inkling of at the moment.
I think what happened with 9/11 is that people sort of felt that it came from nowhere. Whereas I think now we understand the roots are very deep. I say it's like revolutionary Communism, something that is going to have to be knocked out over a very long period of time. This strain of extremism continues to be very strong, whether it's in Afghanistan, or Somalia or Yemen, or any of these places.
Some people act as though art that is for a mass audience is not good art, and I think this has been a very negative thing. I know that I have wanted very much to write books that are accessible to the widest audience possible.
I discovered that writing was very nice indeed when I was very young, and I never changed. I don't think my style has changed very much at all - though I hope what I say is a bit more interesting. It's about getting to know a character and loving them, I think.
I just think that I was very fortunate to have had the opportunity to work with some very fine filmmakers in the industry. I worked with some wonderful people on some really interesting projects. So I consider myself very fortunate.
I think middle America has changed very, very much. I think people are way more open-minded. I think - I think it's because the Internet. I think they're exposed to so much. All the men talked about how much they love their wife, which I don't hear all the time in art communities.
I think that gulf is what makes the work interesting, but as a creator it's endlessly frustrating because I'm starting out with this goal, this thing I'm trying to create, and then the thing I actually do create is very, very different. It's always painful, in some ways, especially when it's just finished.
My art practice is very detail-, labor- intensive and I think that that's a way of slowing myself down so that I can hear myself think. That quieter voice has sometimes the more interesting idea, if I can get to it.
I don't think you can approach any piece of art with boundaries or rules. I think respect is a very important thing, but I also think what we discover along the way is really important.
I think in English history a very interesting character is John Lilburne. Very interesting character because of the way he managed to develop the whole debate about the English civil war into something very different.
I say that drums and bass should be very prominent, with vocals being the most important thing, and maybe very little guitars. I conclude by calling for no songs over five minutes and saying that I'm sure we'll fail at anything like what I describe, but hopefully we'll do that in an interesting way. Plans never work!
I think that the exchange is very important. Before I did the exhibition in Shanghai, I was a judge for the John Moores Painting Prize and that was very interesting for me, because some of the judges are Chinese and some are British, and we look at the work together. It was fascinating that most of the time we were in complete agreement, but some of the time we were not. People send their works from all over China. For a foreigner, this gave me a very good picture about what is happening in China and its art today.
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